Nickie
Well-known member
This is the best explanation I've ever heard about the difference:
While I tend to favor low-G, I prefer "and" to "vs."—I haven't been shipwrecked and could only choose one uke, so I happily play both, and baris besides.
For my next trick, I'll restring my tinny new Ohana soprano to GcEA, yes, low-G and high-C, to retain the re-entrant flavor so it remains an 'ukulele rather than a small guitar-oid. Has anyone here tried that setup? What are your reactions? Note: I've restrung another soprano in fifths so it's now less 'uke and more mando. I like it.
Hmmm, re-entrant mando tuning. Sounds like another challenge. I bought the Aquila 30U nylgut soprano fifths set. My micrometer measures them as 28 wound (G3), 33 (D4), 22 (A4), and 15 (E5). They're still stretching and I don't know how long that 15-gauge will last! (Finger pads only for picking, yes.) But re-entrant mando tuning, hmmm...My sopranos are all C4-G3-D4-A4. I prefer fifths, but for me the sopranos just can't take a C3 (too much bass), and an E5 (unless it's 20-lb monofilament line) always seems to snap on me and sounds a bit screechy).
There are trade-offs. Standard tuning allows / pushes one to develop virtuosity within that framework. Variant tunings provide a wider range of exploration, and effectively transform the instrument, as a 5ths-uke is now Something Else. IMHO low-G transforms the 'uke into a little guitar. I get the point that low-G gives a much wider tonal range. I also get the points that high-G gives the traditional 'uke sound and is most familiar with many 'uke-ists. And yes, it's a matter of personal preference. But it needn't be either-or, if one has more than one axe. I'm about to string a concert in low-G; my next tenor may be strung in low-G; I'll try not to approach them as mini-guitars.Everybody gets something different from videos like what the OP posted. To me it shows that instruments are meant to be versatile; that musicians should not treat an instrument in a style, tuning or genre restrictive manner; and that being creative with an instrument is not a bad thing.
Hmmm, re-entrant mando tuning. Sounds like another challenge. I bought the Aquila 30U nylgut soprano fifths set. My micrometer measures them as 28 wound (G3), 33 (D4), 22 (A4), and 15 (E5). They're still stretching and I don't know how long that 15-gauge will last! (Finger pads only for picking, yes.) But re-entrant mando tuning, hmmm...
Now I'm muddled. I will *have* to try that -- but which 'uke? The next one, probably. Yes, it's time to focus my UAS even further. All my current 'ukes are dedicated to certain tunings, all except the bari, and I'm finding (with my new mandola) that I don't really like chording in 5ths on a fretboard that size. So I guess another concert is coming, and maybe a 6-string tenor, ay yi yi. [/me looks at over two dozen acoustic stringed instruments leaning and hanging on the opposite wall.] But where will I put them? Sounds like a First World Problem to me...That 15-gauge is what got me to experiment with monofilament fishing line. 20-pound test handles the E5 and won't snap (the tension is higher, though). The "reentrant C" is handy because any low-G GCEA string set can be used for it (the G & C reversed, the E detuned to D).
Back to Low-G, restrung my 6-string to C3-G3-G4-D4-A4-A3. Having the high-low G combined has a nice bite to it.
Damn straight, and that's why my ancient banjo-uke stays in high-g. It doesn't have quite the ring of my 5-string, but it ain't bad. Hmmm, maybe I need another banjolele to string in re-entrant 5ths (discussed above) with a ringing bottom string. Yee-haw! Yeah, I could probably sneak a banjolele into the house.High-g= clawhammer= badass....lol
EDIT: I've reconsidered the 20-pond test thang. Looks like the least I can get is Seagaur 175 yards -- that's enough for over 300 strings! I'd drown in the stuff! Or else do a lot of experimentation. Yeah, because I don't fish.
This is the best explanation I've ever heard about the difference:
But to be honest, the more I play other people's tabs, the more I find myself just favoring high G.
There's just alot more music written in high G, and the harmonics are different. High G isn't as broad, but it's got a sparkle in the high end that low G doesnt.
Well, you can sprinkle yourself with this flashy powder sold at supermarkets in the baking section... But I digress. IMHO the basic difference is between low-G's greater tonal range and guitar-like approach vs high-G's sparkly re-entrant ukulele sound. And I've thought of the ultimate re-entrant tuning: a reversed fifths set. I've strung one soprano with the Aquila 30U set for GDAE. Flip that around and it becomes a high-to-low EADG. You want re-entrant? You got it!Sparkle. I like that, and I agree. I always appreciate that quality in a reentrant uke. I guess I'm just not sparkly, myself. LOL