Thank you. These suggestions help a lot.
No worries - I'm glad to help.
I should also mention that once you get everything set up just right, that if you change to a different gauge of string or different material (from nylon to fluorocarbon, or to nylgut, REDS, LAVA, etc and vice-versa) due to changes in both string tension and string diameter, the vibrating arc of the string above the fretboard is going to be altered, either above or below your previous set of strings, and for that, you may need to 'adjust' the 'setup'.
Once you find a set and gauge of strings that you are going to stick with, then you wont have that issue any more, but a string change MAY require not only string action adjustment, but also intonation adjustment at both nut and saddle.
This is not a difficult task, but one that you should know how to do, kind of like knowing how to change a flat tire on your car.
If you are a serial-string-changer like me, and/or obsessed with trying to get the sound in your imagination from the instrument via different types of strings, then this is a useful appreciation of the 'string geometry', however, if you lack the hearing acuity to tell the difference and all strings sound the same to you, then you will likely be pleased quite easily, which is a GOOD thing, since you will not be chasing shadows for 'that sound'...
I have written more about strings in numerous threads here on UU and some of them are accessible via the FAQ link in my signature below...