::Leader Board:: Ahnko Honu Takes The Lead Chapter 19!

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I have nothing against this group, in fact I kind of liked it. But why would a group that doesn't use a ukulele want Mainland as a sponsor? And, what's in it for Mainland? I don't get the connection.

Also, I wonder if they also perform songs in English. The Spanish lyrics just make me wonder what they're singing about. They'd be more relatable to me if they sang some in English, too. If I were to be sponsoring a musical act, I'd want them to appeal to as wide an audience as possible.

Just my two cents worth....

The manager said he played ukulele, but didn't send me any links to him playing ukulele. He does play slide, so maybe he has the interest. I don't mind the language difference and actually think the Latino community needs to get turned onto ukulele more, but I do have a hard time picturing him working it into his act/style which seems a little more hard rock-ish.
I also don't like it when a manager asks me for something, is he too important to ask me himself?

and it did occur to me that it might just be a scam.
 
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I've been tweaking the lyrics of the song, by reading along as I listened to Arlo Guthrie's original 1967 recording. I made several corrections, if anyone's interested....

City of New Orleans [G]

[G] Riding on the [D] City of New [G] Orleans,
[Em] Illinois Central, [C] Monday morning [G] rail,
[G] Fifteen cars and [D] fifteen restless [G] riders,
Three con[Em]ductors, and [D] twenty five sacks of [G] mail.

All [Em] along the southbound odyssey,
The [Bm] train pulls out at Kankakee,
And [D] rolls along past houses, farms and [A] fields.

[Em] Passing trains that have no name,
And [Bm] freight yards full of old black men,
And [D] the graveyards of the [D7] rusted automo[G]biles.

Chorus:
[C] Good morning A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son.
[D] I’m the [G] train they call the [D] City of New [Em] Orleans,
I’ll be [F] gone five [C] hundred [D] miles when the day is [G] done.

[G] Dealing card games with the [D] old men in the [G] club car,
[Em] Penny a point, ain’t [C] no one keeping [G] score.
[G] Pass the paper [D] bag that holds the [G] bottle,
And [Em] feel the wheels [D] rumbling ‘neath the [G] floor.

And the [Em] sons of Pullman porters,
And the [Bm] sons of engineers,
Ride their [D] fathers’ magic carpets made of [A] steel.

[Em] Mothers with their babes asleep,
Are [Bm] rocking to the gentle beat,
And the [D] rhythm of the [D7] rails is all they [G] feel.

Chorus
[C] Good morning A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son.
[D] I’m the [G] train they call the [D] City of New [Em] Orleans,
I’ll be [F] gone five [C] hundred [D] miles when the day is [G] done.

[G] Nighttime on the [D] City of New [G] Orleans,
[Em] Changing cars in [C] Memphis, Tennes[G]see.
[G] Halfway home, and [D] we’ll be there by [G] morning,
Through the [Em] Mississippi darkness, [D] rolling down to the [G] sea.

But [Em] all the towns and people seem
To [Bm] fade into a bad dream,
The [D] steel rail still ain’t heard the [A] news.

The con[Em]ductor sings his songs again,
The [Bm] passengers will please refrain,
This [D] train got disap[D7]pearin’ railroad [G] blues.

Chorus:
[C] Goodnight A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son.
[D] I’m the [G] train they call the [D] City of New [Em] Orleans,
I’ll be [F] gone five [C] hundred [D] miles when the day is [G] done.

The only line I notice that is different (without looking back) is "Passing trains that have no name." That's the way I remember it being. I think I read "passing towns that have no name" on your other verson or maybe Robs...and I habitually said trains.
 
Listening to that Spanish song made me realize how far I've come in the duolingo course. I could actually understand parts of the song.

...it also made me realize I have a long way to go. :D
 
The manager said he played ukulele, but didn't send me any links to him playing ukulele. He does play slide, so maybe he has the interest. I don't mind the language difference and actually think the Latino community needs to get turned onto ukulele more, but I do have a hard time picturing him working it into his act/style which seems a little more hard rock-ish.
I also don't like it when a manager asks me for something, is he too important to ask me himself?

and it did occur to me that it might just be a scam.

Are they local??? Lots of bands/musicians let their manager work as like a PR person. It's silly when they haven't made it very big, yet. But I think it's an ego boost. Also, he may work full time and needs the manager to work PR.... but I'm with you, it sounds fishy. If this is legit, they will give you all the time you need to mull it over and research. If they are local, go to a gig. But if they pressure you to hurry, then I would say it's a scam.
 
Listening to that Spanish song made me realize how far I've come in the duolingo course. I could actually understand parts of the song.

...it also made me realize I have a long way to go. :D

I was listening to a Latino radio station in the car this week. Good music and the DJ's are less annoying in Spanish.
 
Are they local??? Lots of bands/musicians let their manager work as like a PR person. It's silly when they haven't made it very big, yet. But I think it's an ego boost. Also, he may work full time and needs the manager to work PR.... but I'm with you, it sounds fishy. If this is legit, they will give you all the time you need to mull it over and research. If they are local, go to a gig. But if they pressure you to hurry, then I would say it's a scam.

The email checks out as his manager, but I'm wondering if the ukulele will ever make it on stage.
 
What do you think of this, so far, Rob? I found this version on line, and then made a very minor tweak to it. I think it must be in the key of G, but I'm not sure about that....


Code:
City of New Orleans [G]


[G] Riding on the [D] City of New [G] Orleans,
[Em] Illinois Central, [C] Monday morning [G] rail,
[G] Fifteen cars and [D] fifteen restless [G] riders, 
Three con[Em]doctors, and [D] twenty five sacks of [G] mail.

All [Em] along the southbound odyssey,
The [Bm] train pulls out of Kankakee,
And [D] rolls along the houses, farms and [A] fields.

[Em] Passing towns that have no name,
And [Bm] freight yards full of old black men,
And [D] graveyards of the [D7] rusted automo[G]biles.

Chorus:
[C] Good morning A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son.
[B][D] I’m the [G] train they call the [D] City of New [Em] Orleans,
I’ll be [F] gone five [C] hundred [D] miles when the day is [G] done.[/B]

[G] Dealing card games with the [D] old men in the [G] club cars,
A [Em] penny a point, ain’t [C] no one keeping [G] score.
[G] Pass the paper [D] bag that holds the [G] bottle,
And [Em] feel the wheels [D] rumbling ‘neath the [G] floor.

And the [Em] sons of Pullman porters,
And the [Bm] sons of engineers,
Ride their [D] fathers’ magic carpet made of [A] steel.

[Em] Mothers with their babes asleep,
[Bm] Rocking to the gentle beat,
And the [D] rhythm of the [D7] rails is all they [G] feel.

Chorus
[C] Good morning A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son.
[D] I’m the [G] train they call the [D] City of New [Em] Orleans,
I’ll be [F] gone five [C] hundred [D] miles when the day is [G] done.

[G] Nighttime on the [D] City of New [G] Orleans,
[Em] Changing cars in [C] Memphis, Tennes[G]see.
[G] Halfway home, and [D] we’ll be there by [G] morning,
Through the [Em] Mississippi darkness, [D] rolling down to the [G] sea.

But [Em] all the towns and people seem
To [Bm] fade into a bad dream,
The [D] steel rail still ain’t heard the [A] news.

The con[Em]ductor sings his songs again,
The [Bm] passengers will please refrain,
This [D] train’s got disap[D7]pearin’ railroad [G] blues.

Chorus:
[C] Goodnight A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son.
[D] I’m the [G] train they call the [D] City of New [Em] Orleans,
I’ll be [F] gone five [C] hundred [D] miles when the day is [G] done.

Well, the chorus:
The original we had, transposed to G would be,
[C] Good morning A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son. [D7]
I'm the [G] train they call the [D] City of New [Em] Orleans [A7]
I'll be [Dm] gone five [Am] hundred [D] miles when the day is [G] done

The way I did it, transposed to G would be,
[C] Good morning A[D]merica, how [G] are you?
Say [Em] don’t you know me, [C] I’m your native [G] son. [D7]
I'm the [G] train they call the [D] City of New [Em] Orleans [A7]
I'll be [C] gone five hundred [D] miles when the day is [G] done.

Although,
[A7] I'll be [Am] gone five hundred [D] miles when the day is [G] done.
Seems like it might work?
 
I was listening to a Latino radio station in the car this week. Good music and the DJ's are less annoying in Spanish.

I plan to do that once I get towards the end of the course. I also want to start reading books in Spanish, just to keep it in my head after I know it. I need to find someone local I can meet up with to chat. I think I'll be able to understand it and read it, but I don't think duolingo will get me very far speaking it.
 
Mike, I know of a bluesyish band that use to play in Indianapolis, called Red Beans & Rice Their singer Yun Hui was very talented. That little tiny woman could wail!! She played piano and on one song, she used a uke. It was either a uke or a little mini electric guitar.

Here is the only YouTube sample I could find of them. I use to watch them all over Indy.

 
I like this a lot. I can sing it, comfortably, in this key. The only thing I added was a G7 before the chorus...because I'm country like that. haha! Also, I think this version also needs a "little somethin' somethin'" after the word "Orleans," in the chorus...in between that Em and F. Not sure what it would be, though.... it kind of walks down to that F in the song.

It would be a A7 in the key of G. I'm guessing Deb sings G above my C and Don sings G below my C.
 
It occurred to me the guy might have gone through his manager because he doesn't speak English. Apparently he's a big deal in Ecuador. I don't think I've ever sent a ukulele to Ecuador.
 
It's not the best example of their music because she does not sing....I thought once the song got going, she would sing. LOL I had never heard this one. It's before I started watching them. I was not old enough when this video was recorded. Sorry about that. I'll see if I can find a better example.
 
It's not the best example of their music because she does not sing....I thought once the song got going, she would sing. LOL I had never heard this one. It's before I started watching them. I was not old enough when this video was recorded. Sorry about that. I'll see if I can find a better example.

I remember the name, I kind of think I knew someone in that band years back.
 
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