I am very excited to share my NUD with you. It took a while to get one, but now my Moore Bettah is here and I love everything about it.
It plays so comfortable and sounds very rich and clear. I love how all edges have been smoothened with ebony binding and black/white purfling, even the soundhole, the sideport, the headstock, and the fingerboard. The wave theme of the Abalone logo is beautifully picked up by the wave line on the headstock and at the end of the fretboard, which perfectly aligns with the purfling of the rosette on the left and the binding of the soundhole on the right. It's those little details that tell you how much thought and knowledge have flown into its design and execution. Thanks to Chuck Moore for building such an amazing instrument!
I could only take a quick snapshot that gives you no idea of how sparkly that tiger-striped Koa and that Abalone shine when you look at it from different angles.
It plays so comfortable and sounds very rich and clear. I love how all edges have been smoothened with ebony binding and black/white purfling, even the soundhole, the sideport, the headstock, and the fingerboard. The wave theme of the Abalone logo is beautifully picked up by the wave line on the headstock and at the end of the fretboard, which perfectly aligns with the purfling of the rosette on the left and the binding of the soundhole on the right. It's those little details that tell you how much thought and knowledge have flown into its design and execution. Thanks to Chuck Moore for building such an amazing instrument!
I could only take a quick snapshot that gives you no idea of how sparkly that tiger-striped Koa and that Abalone shine when you look at it from different angles.