Savarez is there, right hand row.
I have more South Coast coming in (see below) and the Titaniums are on one of my ukes (see below)!
Some of my generalizations on high G sets:
Flourocarbons are colored.
They have a certain sound, a ringing/chiming that I'm not particularly fond of.
Then again, the Savarez and the new Pepe Romeros (made me get some LaBellas) were a pleasant surprise; very close in sound. I also liked how they played.
My Tangi mango is also wearing some Oasis warms. Oasis is/was okay, but felt a bit stiff, both the warm and bright.
Living Waters didn't do it for me though I only tried them once and I may go back.
Same thing for Worths, though I haven't tried the browns.
South Coast was maybe the least colored of the flouros and I got more on order.
Aquila: Regular and Super bored me. Felt like playing big game 500 lbs test fishing line. The Lavas (which is supposed to be the same as the Supers) I liked and will go back to them. I really dig the Reds; makes an un-ukulele sound particularly on my spruce tops. I put them on koa and liked them there too. Currently on one of instruments and will go back to them later. I am using mix of old Reds and new. So far so good on the A strings.
Fremonts: for whatever reason, they only get along with one of my ukes, a spruce top. I'd call the sound muddy but warm, opposite of the Aquila Reds. I like them there but haven't had success with any other uke.
Martins, bleah, just like D'addarios.
Except for D'addario titaniums. Currently on one of my ukes, still being reviewed. Large diameter strings that don't feel large. Similar I think to Aquila Lavas.
I also tried Kala Pearls on a couple of my instruments. I sort of liked them, but sort of reminded me of flouros.
Did I learn anything?
My Kamaka sounds like it does no matter what strings I got on it. I mean it sounds different with each string yet at the same time, it retains a large part of what I now think is it's native sound. The Kamaka, or should I say my Kamaka, seems to be very sensitive to string changes. Sounds contradictory, but I could hear the minute differences in each string change, things that I couldn't hear or notice when changing strings on other instruments (spruce tops).
I have a feeling the Tangi Mango may be the same.
My Kala spruce seems to be the least sensitive, sounding pretty much the same no matter what string I dropped on it. I really like that uke.
My other two ukes were some place in between; sometimes changes made a big deal, sometimes not.
To recap, I'm using Oasis Warms, Aquila Reds and Lavas, Fremont Blacklines, and D'addario Titaniums.
I think all the sets I've tried have their merits, some are just not for me; on the instruments I now own.
I have goofed around with mixing some strings, mostly with the Aquila Lavas for the A string has a tendency to 'ring' on me. I usually just drop whatever A string I got laying around.
Favorites or first string I change out to? Aquila Reds or Lavas and Savarez or Romeros for flouros.
Next up are PHds, and Aaron's 'special blend' and possibly some Koolaus.
And the rest.
I gotta say this Quest for Strings has taught me about what kind of sound I like and not, and it also taught me a bit about all my instruments and the sounds they make.