Yup, Kekani is right.
Sound board refers to the top of the body ( the part that faces the audience)
Back board refers to the bottom, or back of body ( part that faces the player )
And super refers to a longer than usual scale on a same sized body.
For example:
A super concert= concert body with a tenor scale
Headstock - HS, "top" of the instrument where the tuning machines go
Headstock veneer - thin piece of wood covering the headstock
Tuning machines - peg,geared, or machined tuning pegs, used to tighten and tune the strings.
Nut - Bone or synthetic material used to separate strings at the HS, slots cut into them
Fretboard - hardwood (Ebony, Rosewood, etc) used to hold frets
Fretwire -Metal wire that is cut, and pressed into the fret slots, then it is shaped and beveled.
Fretboard markers -Inlays used to tell the player what fret their fingures are at. often placed at frets 3,5,7,10,12, and sometimes 15
Fret work - the process of leveling and crowning frets, along with dressing the ends
Soundhole -Hole, cut into either the soundboard, the sides of the body, or both. allow vibrating air to escape the body and go out to audience.
Rosette - artistic decoration around the soundhole
Plates - refers to the top (soundboard, SB) and back
Sides - Sides of body, one faces up, and the other down while playing.
Neck -Pieces of wood that are shaped ind attached to body. holds tuning machines, nut and fretboard.
Heelblock - structural hardwood block that "joins" the neck, sides and plates
Tailblock - Structural hardwood block that "joins" the plates and sides, usually where the jack is drilled into.
Heelcap - piece of shell, wood etc found on the bottom of the neck heel.
End graft - inlay piece at the okole of the instrument, right on the side joints at the tailblock.
Bridge -Piece of wood that holds bridge, glued to soundboard in the lowerbout. must be correct distance from nut for scale to be correct.
Bridge patch - bracing material under the bridge, usually a flat hardwood (although some use softwoods)
Saddle - bone or synthetic material that can be used to set intonation (once the bridge is set), and is used to set the action at the bridge.
Break angle - angle at which the strings break over the saddle into the bridge, bridge pins or tie block
Compensated Saddle - saddle cut or saddle slot angled so that intonation is set per string.
Lining - used to increase the gluing surface to join the sides to the plates, allows for binding and purfling installation; can be kerfed or solid. Tentallones do the same, but are usually separate pieces. Kerfing? Not a word worth discussing.
Binding - wood or plastic (ugh!) used to protect the edges of the instrument where the sides join the plates; also used around the FB and HS; more useful on guitars, decoration on `ukulele
Purfling - decorative appointment (usually shell) around the top edges of the SB; also done on the sides and back; also refers to black/white/black, BWB, or combination thereof of wood or fiber strips to set off the binding or shell purfling.
Backstrip - inlay down the back of the instrument; can be used to increase the glue joint when bookmatching the plates.
Bracing - structural pieces that support the plates
Fan, X, Lattice, Kasha - bracing styles
Tonebars - pieces that tune the plates (usually refers to the SB).
Cutaway - allows access to higher frets, not necessary if player doesn't go above the 3rd position
Florentine Cutaway - pointed and jointed
Venetian Cutaway - curved and bent
Compound cutaway - see Cumpiano (I stole that idea, challenging to do)
Side port - hole cut in the side of the instrument, instead of or in addition to the SB soundhole
SBT - soundboard transducer
UST - undersaddle transducer (my preference - major surgery, major ROI)
Active pickup - no preamp necessary, battery not included
Passive pickup - usually needs outboard preamp, battery not needed (but you may need a powered pre-amp)
I filled in the few that were left. Hope this helps
Aloha
Acabo'oe