Vespa Bob
Well-known member
Presenting my latest endeavor in ukulele construction, my 16th overall and 4th in a line of Favilla style teardrop sopranos.
After my last project, I decided to tackle something more basic and spend more time on achieving the accuracy and perfection required of an instrument worthy of selling. I succeeded only in small part, having produced (finally) a symmetrical body shape, thanks for taking the time to build an inside and outside form. Also, a well executed neck and fret board resulted after avoiding past mistakes.
On the downside, however, a big boo-boo was the result of a slight shift of the soundboard when gluing it to the sides, causing the sound hole to be out of center. This, plus a not too perfect joint on the rosette marred an otherwise good looking instrument.
Cosmetics aside, the construction, sound and intonation are as good as I can achieve at this stage of my apprenticeship!
Thanks to all on this board who have helped me with advice and encouragement without which I would not have made much progress!
Details:
All mahogany top, back, sides and neck
Indian rosewood fret board and bridge
Ebony nut and saddle
Gotah friction tuners with modified buttons (smaller)
Worth clear strings
Bob
After my last project, I decided to tackle something more basic and spend more time on achieving the accuracy and perfection required of an instrument worthy of selling. I succeeded only in small part, having produced (finally) a symmetrical body shape, thanks for taking the time to build an inside and outside form. Also, a well executed neck and fret board resulted after avoiding past mistakes.
On the downside, however, a big boo-boo was the result of a slight shift of the soundboard when gluing it to the sides, causing the sound hole to be out of center. This, plus a not too perfect joint on the rosette marred an otherwise good looking instrument.
Cosmetics aside, the construction, sound and intonation are as good as I can achieve at this stage of my apprenticeship!
Thanks to all on this board who have helped me with advice and encouragement without which I would not have made much progress!
Details:
All mahogany top, back, sides and neck
Indian rosewood fret board and bridge
Ebony nut and saddle
Gotah friction tuners with modified buttons (smaller)
Worth clear strings
Bob