Yeah this is not the place to discuss specs but thanks for the input. That makes sense of why my Uke preamps/eq don't work, but still my clamp on head piezo works pretty well. The piezo must have pretty good output to take a 10:1 mismatch and only be ~ 6-12 Db down?
It does stimulate my inner geek to wonder about the mechanical energy transfer and the efficiency of Piezo conversion. Especially since it is designed to be clamped on the head stock. All the magic numbers!
pardon me while I speak tech for a moment...
Aside from the aforementioned issues, for the typical voltage output of the average piezo disc pickup, the output voltage is likely around 1mV, and you need at least a 20x voltage increase using something like an LM386 op-amp or JFET circuit (like the Scott Lemke above) to raise the signal above the noise floor with any integrity worth amplifying any further and to have a signal-to noise ratio with enough dynamic range to make it worthwhile, otherwise when you amplify the piezo output, you are also amplifying the noise and EMI/RF.
When you play around with the various iterations of Ohms Law applied to AUDIO, you will see that you get a gift in how the impedance matching 'appears' to become a linear ratio instead of a logarithmic one, once you pass about 400mv.
While a 20x voltage increase helps, this is not linear in the audio signal output and you really need about 150-200x linear voltage increase to get a signal level that is AT LEAST around -20 db, otherwise there's just too little to work with that has any audio fidelity.
I have built a few circuits from scratch myself and also reverse-engineered a few others and rebuilt them with modifications.
My conclusion is that a passive resistor network will have better audio fidelity with a near-flat frequency response curve, and most of the active circuits out nowadays are a lot like putting lipstick on a pig, save for a few exceptions.
However, most of the public is conditioned to believe the hype, which is endlessly regurgitated as fact, and then the hive mind is duped into thinking that the Belcat preamps sound better than anything else, so ALL the uke makers start including them in their 'electro' models.
IMHO, these Belcat preamps are the perfect example of how an LM386 can sound really bad, yet with $1 in parts and a slight wiring change, can rival some of the more expensive preamps in the sound and noise isolation.
OTOH, Mi-Si, Fishman, LR Baggs are examples of the better way to implement these kinds of circuits.