OhioBelle
Well-known member
I've been holding out on you guys. My new baby has been home since Wednesday-eve and I'm just getting around to the NUD post. This one is such a game-changer for me, I felt as if this particular NUD post had greater significance. I needed time to do it justice.
I also wanted to get better pics in natural light, but western Ohio's moody autumn weather isn't cooperating. So I am including the HMS link so you can see their beauty shots, and hear/see the video of the fabulous Kalei playing a sample.
http://www.theukulelesite.com/kala-usa-custom-tenor-4custom-t-spruce-top-lebanese-cedar.html
(BTW, anyone know the melody? Is it from Polani?)
So - why is this uke my game-changer? It has clarified for me what sort of player I desperately want to be. I reserve the right to strum happily on a soprano, but this low-G tenor is precisely the sound I've heard in my head. Chord-melody, fingerstyle, I am ready to learn.
There has been great debate about the brand-name on this headstock. In fact, one of those debates led me to this uke. I will be forever grateful to have stumbled upon that post, and happy that I took a deep breath and jumped. I now own a spectacular instrument that is way above my ability at the moment, but that inspires me to strive to be worthy. Everything about it seems perfect - the weight (lighter than my Pono), the silky spruce, the glowing ember color of the Padauk, the fibrous grain of the Live Oak (State Tree of my home in Georgia!), the pink and cream swirls of the Lebanese Cedar, and the voice - oh the voice! the rich lingering sustain combined with the intoxicating smell coming from the sound hole to make me swoon! I am a professed sniffer of sound holes, so this smokey scent of pine resin mixed with warm cedar was an unexpected bonus.
What IS this stuff, Lebanese Cedar, used on the back and sides rather than the soundboard?
Here are a few pics I took upon unboxing. You will note the ubiquitous presence of Chief of the BCIS (Bengal Cat Inspection Squad).
I also wanted to get better pics in natural light, but western Ohio's moody autumn weather isn't cooperating. So I am including the HMS link so you can see their beauty shots, and hear/see the video of the fabulous Kalei playing a sample.
http://www.theukulelesite.com/kala-usa-custom-tenor-4custom-t-spruce-top-lebanese-cedar.html
(BTW, anyone know the melody? Is it from Polani?)
So - why is this uke my game-changer? It has clarified for me what sort of player I desperately want to be. I reserve the right to strum happily on a soprano, but this low-G tenor is precisely the sound I've heard in my head. Chord-melody, fingerstyle, I am ready to learn.
There has been great debate about the brand-name on this headstock. In fact, one of those debates led me to this uke. I will be forever grateful to have stumbled upon that post, and happy that I took a deep breath and jumped. I now own a spectacular instrument that is way above my ability at the moment, but that inspires me to strive to be worthy. Everything about it seems perfect - the weight (lighter than my Pono), the silky spruce, the glowing ember color of the Padauk, the fibrous grain of the Live Oak (State Tree of my home in Georgia!), the pink and cream swirls of the Lebanese Cedar, and the voice - oh the voice! the rich lingering sustain combined with the intoxicating smell coming from the sound hole to make me swoon! I am a professed sniffer of sound holes, so this smokey scent of pine resin mixed with warm cedar was an unexpected bonus.
What IS this stuff, Lebanese Cedar, used on the back and sides rather than the soundboard?
Here are a few pics I took upon unboxing. You will note the ubiquitous presence of Chief of the BCIS (Bengal Cat Inspection Squad).