Estudiante
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Here's a recommendation for anyone who wants to expand their method and song book collection even more. I'm really excited about finding this older (1982) Hawaiian fingerstyle resource, so I thought I'd share a sort-of-lengthy description here.
Last week I picked up Hawaiian Uke Tunebook (by Ken Edison & Ross Cherednik, 108 pages, 1982, Mel Bay, ISBN 978-087166842-4). I really, really, really like this book. I know at least a few other forum members are interested in Hawaiian fingerstyle resources, so:
- Page 5: a one-page history with props given to some Hawaiian greats from the past
- Page 6-21: intro material on tuning, reading tabs, rhythm, keys and signatures, a few picking patterns, and so on.
- Page 8: explains some Hawaiian style strumming distinctives, including a Molokai Strum
- Page 9: a nicely formatted chart of 18 basic chords
- Page 10: THIS WAS COOL; an explanation of Hawaiian Vamps, with a nice chart of Hawaiian Vamp progressions, one progression for each key
- Page 13-15: nicely formatted scale exercises, one exercise for each key
- Page 22-94: 52 Arrangements of traditional Hawaiian tunes, arranged for fingerstyle, with standard notation and tablature
- Page 95-106: reference of 300 chords arranged by key
- Page 107: short afterword encouraging you to go out and become the next Hawaiian uke master
If you're interested, the songs are listed in the table of contents, viewable in the Amazon book preview.
The arrangements are presented more-or-less progressively. The first 15 or so tunes are mostly single note melodies and mostly on the first 5 frets.
Looking at the book as a whole, I guesstimate that 1/3 of the tunes are single-note melody (but not all easy!), and maybe 1/2 of the tunes are limited to frets 1 through 7.
Toward the middle the book moves you farther up the fretboard and playing in thirds and fifths, chord-melody, and solo style (chord and fingerpicking combination). There are a few arpeggio-y arrangements. As you keep going, the arrangements take you farther up the fretboard, but you don't go above the 10 and 12 very often.
I'm an advancing beginner, so I'll be camped out in the first third of the book for a while. It's a great complement to the method I'm using.
Last week I picked up Hawaiian Uke Tunebook (by Ken Edison & Ross Cherednik, 108 pages, 1982, Mel Bay, ISBN 978-087166842-4). I really, really, really like this book. I know at least a few other forum members are interested in Hawaiian fingerstyle resources, so:
- Page 5: a one-page history with props given to some Hawaiian greats from the past
- Page 6-21: intro material on tuning, reading tabs, rhythm, keys and signatures, a few picking patterns, and so on.
- Page 8: explains some Hawaiian style strumming distinctives, including a Molokai Strum
- Page 9: a nicely formatted chart of 18 basic chords
- Page 10: THIS WAS COOL; an explanation of Hawaiian Vamps, with a nice chart of Hawaiian Vamp progressions, one progression for each key
- Page 13-15: nicely formatted scale exercises, one exercise for each key
- Page 22-94: 52 Arrangements of traditional Hawaiian tunes, arranged for fingerstyle, with standard notation and tablature
- Page 95-106: reference of 300 chords arranged by key
- Page 107: short afterword encouraging you to go out and become the next Hawaiian uke master
If you're interested, the songs are listed in the table of contents, viewable in the Amazon book preview.
The arrangements are presented more-or-less progressively. The first 15 or so tunes are mostly single note melodies and mostly on the first 5 frets.
Looking at the book as a whole, I guesstimate that 1/3 of the tunes are single-note melody (but not all easy!), and maybe 1/2 of the tunes are limited to frets 1 through 7.
Toward the middle the book moves you farther up the fretboard and playing in thirds and fifths, chord-melody, and solo style (chord and fingerpicking combination). There are a few arpeggio-y arrangements. As you keep going, the arrangements take you farther up the fretboard, but you don't go above the 10 and 12 very often.
I'm an advancing beginner, so I'll be camped out in the first third of the book for a while. It's a great complement to the method I'm using.
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