YogiTom
Well-known member
Curious to hear from the luthiers on here about the more unusual woods that get used in your shop, be it for tops, backs, sides, necks, headstock, wood inlay, bracing, binding, etc?
I got on this train of thought looking at reclaimed and urban forestry slabs of woods from the islands, thinking to myself "that's pretty...would it make a good soundboard, though?"
The more unusual or unlikely the wood, the better.
I got on this train of thought looking at reclaimed and urban forestry slabs of woods from the islands, thinking to myself "that's pretty...would it make a good soundboard, though?"
The more unusual or unlikely the wood, the better.