Jerryc41
Well-known member
I'm getting a used Fluke in a couple of days, and it has a K&K pickup. I doubt I'll ever have need for it, but how does the K&K compare to other brands?
I liked it so much, I had to talk to her after the show to find out more! I am in the queue for a Beansprout (https://www.thebeansprout.com/) later this year from Aaron Keim, who used to be at Mya Moe and did work on Danielle's instrument in fact. He uses K&K pickups, and I am considering getting him to install one if he uses the Twinspot. That's how much of an impression it left on me.
K&Ks can pick up a lot of background noise. You may want to speak with Aaron about your amplification needs and musical settings before asking him to install a K&K in a banjo uke that already functions like a condenser microphone.
There has been exactly one ukulele pickup that I really liked, sound-wise. I recently saw Danielle Ate the Sandwich (her site here: at Mighty Uke Day 9, in Lansing, MI (more info here: with a K&K Twinspot and it sounded incredible. It was like listening to an acoustic instrument in your own living room, rather than the sort of artificial sound that I hear from most pickups.
When properly installed, the K&K Aloha Twin produces a close approximation of an 'ukulele's acoustic tonal character. Unfortunately, it is also feedback-sensitive (especially in more responsive instruments), difficult to install in some 'ukuleles (even with the right tools), and preamp-dependent in most rigs, making it a relatively fussy and expensive option.
If I am being completely honest, it's a PITA at higher sound pressure levels, but it's my preferred pickup for nicer 'ukuleles. For flexibility, I pair mine with a Radial Tonebone PZ-Pre preamp; simpler preamp options include the Orchid Electronics Muting DI, JJB Electronics J2, Fire Eye Red-Eye, and various offerings from K&K.
In comparison to other brands, it's microphonic and sensitive to extraneous sounds (arm rubbing on soundboard, fingers on fretboard, sympathetic rings induced by nearby sound sources, etc.). If you're going for that "acoustic tone, but louder" sound, it's a strong contender; otherwise, you may wish to consider other options.
I have a K&K Aloha Twin in my Baritone. I like it a lot. In most cases you will need a pre-amp to get the benefit of its full potential.
I have a K&K Aloha Twin in my Baritone. I like it a lot. In most cases you will need a pre-amp to get the benefit of its full potential.
My Pono baritone just got fitted with the K&K Aloha Twin and I tried it tonight for the first time. Wow! It sounds amazing. I have a Mya Moe with tenor with a K&K twin spot, it is very sweet sounding plugged in. Another K&K on a Mya Moe concert resonator, a Misi on a Clara, and an aNueNue pickup on the Moonbird tenor—But this baritone plugged in is such a transformation. Hammer downs, strumming, picking, string bending, and the blues just rock. I loved the sound of my bari before but now I feel like it’s alive.
When properly installed, the K&K Aloha Twin produces a close approximation of an 'ukulele's acoustic tonal character. Unfortunately, it is also feedback-sensitive (especially in more responsive instruments), difficult to install in some 'ukuleles (even with the right tools), and preamp-dependent in most rigs, making it a relatively fussy and expensive option.
If I am being completely honest, it's a PITA at higher sound pressure levels, but it's my preferred pickup for nicer 'ukuleles. For flexibility, I pair mine with a Radial Tonebone PZ-Pre preamp; simpler preamp options include the Orchid Electronics Muting DI, JJB Electronics J2, Fire Eye Red-Eye, and various offerings from K&K.
In comparison to other brands, it's microphonic and sensitive to extraneous sounds (arm rubbing on soundboard, fingers on fretboard, sympathetic rings induced by nearby sound sources, etc.). If you're going for that "acoustic tone, but louder" sound, it's a strong contender; otherwise, you may wish to consider other options.