100% maple uke. Tone?

Ronnie Aloha

Mahalo Sen. Dan, R.I.P.
UU+
UU VIP
Joined
Aug 6, 2009
Messages
2,003
Reaction score
9
Location
Manhattan Beach, CA
I'm looking at a 100% maple uke. I won't have a chance to play before buying but I was wondering what luthiers thought of the wood in terms of tone. I read an article online that said the wood is rather muted. Has this been your experience too?
 
I'm looking at a 100% maple uke. I won't have a chance to play before buying but I was wondering what luthiers thought of the wood in terms of tone. I read an article online that said the wood is rather muted. Has this been your experience too?

Maple doesn't resonate much, so it offers very little sustain relative to other tone woods. I've heard it's popular with some musicians of certain styles of music, where individual clarity of notes is desired. I've neither built nor played an all maple instrument, so my knowledge comes from what I've read.
 
I'm not a luthier but I do have an all-maple (including neck and rock maple fretboard) DeVine uke (one of Eric's first designs, so it's traditional rather than kasha). Sustain is definitely less than my koa and walnut ukes but still plenty, and it has a nice, bright tone that works especially well for fingerstyle playing. Plus the quilted maple looks absolutely gorgeous!
 
I'm not a luthier but I do have an all-maple (including neck and rock maple fretboard) DeVine uke (one of Eric's first designs, so it's traditional rather than kasha). Sustain is definitely less than my koa and walnut ukes but still plenty, and it has a nice, bright tone that works especially well for fingerstyle playing. Plus the quilted maple looks absolutely gorgeous!

Relative to your other instruments, how heavy is it? I've been considering maple for necks.
 
I've never compared directly but it's not noticeably heavier and it's well-balanced. I can check when I get home tonight if you like.
 
Every "all maple" `ukulele I've heard (all 3 of them) have been less than stellar. Of course they beat any import I've heard. However, there is one all Maple that is simply, great. See Rick Turner for that one, Compass Rose.
http://www.youtube.com/watch?v=T1l1JtcS5FI

Outside of that, I'd look for one with a Spruce top.

That said, probably 50% of my builds are maple. Why? Clarity, beauty, projection, sustain, and all the other good stuff associated with a good tenor, except for maybe sweetness. Of course, that comes once its broken in properly. Not as sweet as an all Hog, but really really nice nevertheless. Yes, I'm biased. Milo edges it out on all accounts.
http://www.youtube.com/watch?v=F52lZJIhy8g
http://i291.photobucket.com/albums/ll290/kekani427/Ukulele/IMG_1359.jpg

-Aaron
 
Last edited:
Hi Ronnie, I am not a luthier, but I do own a Maple Brueko soprano longneck. The sustain cannot be compared to Koa, but the character/properties of my Bruecko reminds me of a ringing and plunky banjo uke sound . WS64 has one as well, which you can see and hear on one of his many Youtube performances.
 
All-maple is a fantastic sound, if you know what to do with it. Imagine a harp in ukulele form. OK, it's not rosewood and spruce, it's not mahogany, it's different. It's the sound of zithers, banos, glass chimes, tiny church bells... We try to mix woods to get a balanced sound, so we would probably use a combination of maple with a spruce top (which is actually on our current list of upcoming instruments) but all-maple is definitely out there and has its place. Maybe it would be better if you went to your music store and bought a uke that you really liked (try before you buy).
 
Last edited:
I agree with erich--try before you buy, unless you know exactly what you're getting for a sound. Maple and spruce is a great sound though...

Aaron, Guava Jam made my day--Thanks for posting that

Stephen
 
Top Bottom