It seems to me that KoAloha is having a little bit of an identity crisis
Here is a picture of the bridge on my new longneck soprano that I bought last week at the KoAloha factory, date stamped Oct. 2010.
At the factory tour, we were shown the first uke to have a bolted-on, rather than glued-in, neck.
I was also impressed by their use double-walled sides, rather than kerfing strips, and their "unibrace". Brian, our tour guide, demonstrated the strength of their ukes by standing on one.
It seems to me that KoAloha is having a little bit of an identity crisis trying to come up with a new bridge design to replace the crown bridge. I realize that the crown bridge did not come on their sopranos or concerts(except the Sceptre), but I think that I have seen four or five new bridge styles within the last four months on their various models.
The crown bridge was a signature of KoAloha and because of that I can understand why it has been difficult to settle on one style of replacement. But I think that they should come up with a design that they are happy with and stick with it. I personally like the rectangular bridge style that they had on the Pineapple Sunday with the zebra wood inlay strip. Simple, classy, and functional.
Pops KoAloha is a dynamic, gifted fellow, it seems. I appreciate my pineapple as a well-made, professional instrument, and yet the designer is continually exploring variations in 'uke construction. I like it. Much like custom 'ukes, there will be a line of KoAlohas with many variations. I'm confident that if one of these new ideas isn't up to the task, he'll replace it under warranty. As long as they keep making 'ukes that sound like KoAlohas, I can't see this as devaluing the brand.