Thanks. As far as the strum, I did a different thing on the 1st and 2nd verses. The 1st time through I just used my index finger: I'm not really sure what the rhythmic pattern is but I could try to break it down if you don't get it. There's nothing tricky like a split stroke, etc. Try each measure as D DU D DU where that's 4 beats so you get a 1 2& 3 4& pattern. Start with that and then just focus more on the sound and feel to add some embellishments to your strum.
The 2nd time through is tricky: I used a frailing/clawhammer technique. I play clawhammer banjo and this comes from that. It's kind of tough to explain, and tough to learn but if you look at my thumb it's kind of bouncing on the 4th string on the "and" of the backbeat. This helps make that moving line on the 4th string kind of "pop" a little more. The other part of the strum is done with all 4 fingers held together and coming down at once. I don't know what to call that, not even sure if other people do it.
Hope that helps a little -- the added complication of the frailing part doesnt add all that much so if you just try to get the rhythmic feel from the first strum you should be good.
I'm still hoping to spend more time arranging this song; I'd like to get more of the essence of the original, without having to resort to overdubs. It's hard because there are so many distinct parts between bass, keyboard, and 2 guitars, and each one is playing different rhythms. Talking Heads were pure genius!
John