`Okay....I was a bad boy. I let strings get mixed up. I've got four different sizes for ukes. Yes, I can tell the thicker from the thinner. Any solutions? Watashiwa baka mono desu.
In general the only two strings that ought to give you trouble are G and A (the 4th and 1st strings). But that's fine, because they are functionably interchangable.
You see that G and A strings are pretty close, so you could use them in either place. There would just be a bit more or less tension on each (respectively) if you used them in the wrong spot.
`Okay....I was a bad boy. I let strings get mixed up. I've got four different sizes for ukes. Yes, I can tell the thicker from the thinner. Any solutions? Watashiwa baka mono desu.
Vernier gauge is what it's called in the UK or dial calliper. Or cheaper way to increase the relative difference suspend the four strings parallel and about two inches above a clean surface about 3/8 apart and shine a reading lamp through them at an angle and look at the shadow, yarn passers trick. It won't make much difference though so why bother
talking about soprano strings mixed with tenors and concerts and maybe a baritone
talking about soprano strings mixed with tenors and concerts and maybe a baritone string or two. No numbers on the strings which include Aguilas, Hilos, Worths. Maybe I'll just drop 'em off somewhere and let someone else try.
I used a Worth BM A string with a Ko'olau gold E and a Fremont black C and an Aquila Bionylon G on my Kamaka concert. It has a nice sounding tone with great resonance.
talking about soprano strings mixed with tenors and concerts and maybe a baritone string or two. No numbers on the strings which include Aguilas, Hilos, Worths. Maybe I'll just drop 'em off somewhere and let someone else try.