Bryan Bear
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- Feb 16, 2013
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Hey everyone, I'm new here so forgive me if I am transgressing any rules or conventions.
I'm making a tenor Uke of my own design (nothing outlandish, just drawing up my own plans). My instrument making experience is with Steele string guitars and other Steele string instruments. I have a good idea of how to accomplish the geometry I want there but have no experience with ukes or nylon strings in general. What action should I shoot for at the 12th fret? How tall is the typical bridge and saddle height?
On a guitar, I would shoot for string height over the soundboard around 1/2" and adjust the neck angle to give the desired action. Actually i can pretty much dial in the neck angle with the top dome. The plane of the top of the frets would intersect the bridge right at the top of the bridge; the saddle height and soundboard pull from string tension puts me right were I want to be. I suppose the low tension strings will cause much less soundboard distortin and will have a higher vibrating arc calling for higher action. . .
I'm making a tenor Uke of my own design (nothing outlandish, just drawing up my own plans). My instrument making experience is with Steele string guitars and other Steele string instruments. I have a good idea of how to accomplish the geometry I want there but have no experience with ukes or nylon strings in general. What action should I shoot for at the 12th fret? How tall is the typical bridge and saddle height?
On a guitar, I would shoot for string height over the soundboard around 1/2" and adjust the neck angle to give the desired action. Actually i can pretty much dial in the neck angle with the top dome. The plane of the top of the frets would intersect the bridge right at the top of the bridge; the saddle height and soundboard pull from string tension puts me right were I want to be. I suppose the low tension strings will cause much less soundboard distortin and will have a higher vibrating arc calling for higher action. . .