aarondminnick
Well-known member
I wanted to share an experiment that has been very successful: a gcea tuning that works well for baritone uke with original (DGBE) strings. I did this so my wife and I could have an easy-to strum alternative that uses fingerings identical to concert.
I conducted this experiment on a Lanikai LU-21B nato/mahogany (laminate) uke with factory strings.
Here’s what I did:
So the relationships are identical to traditional re-entrant gCEA, with the exception that the E is an octave higher – so I call this gCeA. Two of the four strings are tuned down one step; the other two are at original pitch (although repositioned).
It strums very well; in most chords it makes the voicing wide, since the E string sings out above the other three. I actually prefer that because it avoids muddy-sounding thirds in the bass clef.
C and F major chords are especially strong with the low C. Across the board, it makes a nice, mellow sonority with all the familiar concert/tenor/soprano chords.
Not good for fingerpicking, obviously, but for strumming it works great. I tend to reach for it when I’m doing pop/rock songs from guitar chords that are meant to be played with capo on the 3rd-5th frets.
I’m thinking of posting a demo or two on Youtube because I think this is a very friendly way for newcomers to the baritone to get that mellow sonority without having to master chords a fourth/fifth off from what they’re used to. And it requires no new strings! I have the factory Aquila strings on this (bottom 2 wound).
I conducted this experiment on a Lanikai LU-21B nato/mahogany (laminate) uke with factory strings.
Here’s what I did:
- Moved the bari D string (wound, normally in 4th string position) to 3rd and tuned down to 1 step to C, 1 octave below middle C.
- Moved the bari G string (wound) to 4th position and left it at G (below middle C, a fourth above this uke’s low C)
- Moved the bari B string to 1st position and tuned down 1 step to A(below middle C, one step above this uke’s G)
- The slightly weird part – moved the bari e string to 2nd position and left it at e (above middle C)
So the relationships are identical to traditional re-entrant gCEA, with the exception that the E is an octave higher – so I call this gCeA. Two of the four strings are tuned down one step; the other two are at original pitch (although repositioned).
It strums very well; in most chords it makes the voicing wide, since the E string sings out above the other three. I actually prefer that because it avoids muddy-sounding thirds in the bass clef.
C and F major chords are especially strong with the low C. Across the board, it makes a nice, mellow sonority with all the familiar concert/tenor/soprano chords.
Not good for fingerpicking, obviously, but for strumming it works great. I tend to reach for it when I’m doing pop/rock songs from guitar chords that are meant to be played with capo on the 3rd-5th frets.
I’m thinking of posting a demo or two on Youtube because I think this is a very friendly way for newcomers to the baritone to get that mellow sonority without having to master chords a fourth/fifth off from what they’re used to. And it requires no new strings! I have the factory Aquila strings on this (bottom 2 wound).
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