mr79
Well-known member
Because I haven’t yet seen one online, I thought I’d do a quick rough and ready review of the Seagull Merlin Dulcimer which I got last week. It costs about £130 here in the UK. I got mine from Omega Music, with their usual superfast and friendly service.
The Merlin is pitched as a dulcimer ‘inspired’ instrument, one that it is impossible to play a wrong note on (it’s not impossible, I did it!). Mine is made from all solid rock maple with a solid mahogany top (it’s also available with a spruce top). The back, sides, neck and head of the dulcimer are made from a solid block of maple (which is itself three blocks glued together) which has been routed out to create the body cavity. The woodwork on it is lovely, really well made from really nice wood. In terms of woodwork alone it’s probably worth its price!
It has good quality geared tuners with ivory buttons, a plastic bridge and saddle (well, they say Tusq nubone or something similar, but it is basically plastic) and has four strings tuned DAdd (with the last two strings forming one single course). The nut is just a large fret. It has just 7 frets, comprising a diatonic scale with no flats or sharps (although that does depend on how you tune it).
Sound-wise it’s really lovely – loud, but not brash, with that distinctive stick dulcimer sitar-ish, banjo-ish tone. It sounds almost as good as my other stick dulcimer, a GDg tuned, cherry and mahogany custom one I had made by Robert Hinchliffe in Yorkshire. Almost!
So, nicely made and well put together. I did have a couple of niggles though. First was the finish. Of the £130 cost, about 50p of that must have gone on sandpaper as mine was really rough! The finish is matte, which probably contributed to that, but it did almost feel like unfinished, untreated wood.
Second was the bridge. When I held it up the light the treble side was not quite making contact with the top. Also the intonation was ever so slightly off on the melody side. On a normal stick dulcimer, this wouldn't be a problem as you could just whip the bridge off and level it, then position it at the angle you wanted. But the bridge on the Merlin has two plastic lugs sticking out of it which fit into small holes on the top, making adjustments impossible. I assume they've done this as part of the ‘easy to play, no knowledge necessary’ thing.
The biggest niggle is the amount of frets. My custom one, despite being the shorter GDg stick, has almost three times the number, including the all important ‘half’ frets. Where Seagull have ended the fretboard on the Merlin really reduces your options. Also, on a normal stick dulcimer you can explore different tunings (using different strings) to get different keys and moods, but the Merlin’s raised fret nut means if you try larger gauge strings (not much larger either) you get string buzz as the action is set as low as possible. You can get CGcc with no buzz, but lower than that and mined buzzed buzzed buzzzzzzed…
That said, it is good fun. I’ve spent at least an hour a day on it, but that hour has felt more like meditation than musical exploration. It’s possible to just zone out while moving your fingers randomly around the fingerboard, and then completely forget what you just did! But (when I've concentrated more) I have been able to do things on the Merlin and then translate them over to my baritone uke – playing the Merlin seems to make me better on a full chromatic fretboard.
So, would I buy it again? Probably… there’s not much like it! The little booklet has sample tunes like ‘Twinkle Twinkle Little Star’, which I think speaks volumes about where Seagull are aiming the Merlin. But if I was going to buy an instrument for a kid, then for the same price I could also buy a Bruko solid slimline soprano uke, or any number of other well made, fully chromatic scaled ukes… I kind of love the Merlin for its size, looks and sound quality, but am a little disappointed in its range of use. For relaxing it’s brilliant, for preparation or improvising something for another instrument it’s nice to have around, but as an instrument in its own right I find it limited (like all stick dulcimers, chords on the Merlin would require six-inch fingers). I’m currently modifying it a bit to see what I can get it to be like, which I’ll post up soon.
I hope this is useful to someone, it’s the first review I've done so if I've missed anything shout it out!
The Merlin is pitched as a dulcimer ‘inspired’ instrument, one that it is impossible to play a wrong note on (it’s not impossible, I did it!). Mine is made from all solid rock maple with a solid mahogany top (it’s also available with a spruce top). The back, sides, neck and head of the dulcimer are made from a solid block of maple (which is itself three blocks glued together) which has been routed out to create the body cavity. The woodwork on it is lovely, really well made from really nice wood. In terms of woodwork alone it’s probably worth its price!
It has good quality geared tuners with ivory buttons, a plastic bridge and saddle (well, they say Tusq nubone or something similar, but it is basically plastic) and has four strings tuned DAdd (with the last two strings forming one single course). The nut is just a large fret. It has just 7 frets, comprising a diatonic scale with no flats or sharps (although that does depend on how you tune it).
Sound-wise it’s really lovely – loud, but not brash, with that distinctive stick dulcimer sitar-ish, banjo-ish tone. It sounds almost as good as my other stick dulcimer, a GDg tuned, cherry and mahogany custom one I had made by Robert Hinchliffe in Yorkshire. Almost!
So, nicely made and well put together. I did have a couple of niggles though. First was the finish. Of the £130 cost, about 50p of that must have gone on sandpaper as mine was really rough! The finish is matte, which probably contributed to that, but it did almost feel like unfinished, untreated wood.
Second was the bridge. When I held it up the light the treble side was not quite making contact with the top. Also the intonation was ever so slightly off on the melody side. On a normal stick dulcimer, this wouldn't be a problem as you could just whip the bridge off and level it, then position it at the angle you wanted. But the bridge on the Merlin has two plastic lugs sticking out of it which fit into small holes on the top, making adjustments impossible. I assume they've done this as part of the ‘easy to play, no knowledge necessary’ thing.
The biggest niggle is the amount of frets. My custom one, despite being the shorter GDg stick, has almost three times the number, including the all important ‘half’ frets. Where Seagull have ended the fretboard on the Merlin really reduces your options. Also, on a normal stick dulcimer you can explore different tunings (using different strings) to get different keys and moods, but the Merlin’s raised fret nut means if you try larger gauge strings (not much larger either) you get string buzz as the action is set as low as possible. You can get CGcc with no buzz, but lower than that and mined buzzed buzzed buzzzzzzed…
That said, it is good fun. I’ve spent at least an hour a day on it, but that hour has felt more like meditation than musical exploration. It’s possible to just zone out while moving your fingers randomly around the fingerboard, and then completely forget what you just did! But (when I've concentrated more) I have been able to do things on the Merlin and then translate them over to my baritone uke – playing the Merlin seems to make me better on a full chromatic fretboard.
So, would I buy it again? Probably… there’s not much like it! The little booklet has sample tunes like ‘Twinkle Twinkle Little Star’, which I think speaks volumes about where Seagull are aiming the Merlin. But if I was going to buy an instrument for a kid, then for the same price I could also buy a Bruko solid slimline soprano uke, or any number of other well made, fully chromatic scaled ukes… I kind of love the Merlin for its size, looks and sound quality, but am a little disappointed in its range of use. For relaxing it’s brilliant, for preparation or improvising something for another instrument it’s nice to have around, but as an instrument in its own right I find it limited (like all stick dulcimers, chords on the Merlin would require six-inch fingers). I’m currently modifying it a bit to see what I can get it to be like, which I’ll post up soon.
I hope this is useful to someone, it’s the first review I've done so if I've missed anything shout it out!