Icelander53
Well-known member
I hear as a uke wood it cracks easily. Is this true? And how would you describe the sound?
I just placed my deposit for a Mya-Moe and my original choice of wood was Mango, cos it looked so beautiful. Subsequently, after hearing what Gordon had to say about mango having a tendency to "move" more than other woods when being transferred across places with starkly different climates, I changed my wood to myrtle.
Thanks everyone. Mango be pretty but I'll have to pass. I'm the only one in my house that gets to be cracked.
According to the luthiers' recent thread, which I now cannot find, the compensation for the movement is thicker top woods and more bracing. With these modifications, no cracking, but sound (esp. volume and sustain) may/might be compromised.
My MP build takes exception to what was apparently suggested in that thread. It is lighter than my acacia Pono with what appears to be typical bracing for a higher end build. Neither volume or sustain limitations. Sounds to me like Mango got an undeserved bad rap from that thread.
The limitations mentioned above sound to me like things that certain luthiers have found necessary to do with inferior cuts of mango. The question that arises with me is why a luthier would choose to continue to work with a tone wood set that appears inferior at the outset. Not all luthiers are on the same level with their knowledge and understanding of wood species and variations of samples within species. Building an instrument from lesser quality wood and having an undesirable outcome should not be a surprise nor should it provide evidence as to the suitability of a given species of wood for a stringed instrument.
I agree.
Also wondering if that thread was refering to spalted wood, my understanding is the fungus thats creates that can cause localized weak areas in the wood and that could be why they'd need to use thicker wood or heavier/more bracing.
http://forum.ukuleleunderground.com...-Curly-Mango-Question&highlight=mango+luthier
I'm trying to find the thread from three or four months ago, which was quite long. I am not a luthier, I do not wish to mis-interpret what has been written by those that are luthiers, and wish for you all to see the words of those that chimed in.
I'll keep looking, but in the meantime, here's a thread from 2012 above, please do read.
Addendum: Here's the 2014 thread (but the 2012 thread is good, too).
http://forum.ukuleleunderground.com...-used-mango-for-a-soprano-top&highlight=mango
As with all things in life, experiences are variable, and I am sure those here who have posted that their mango uke is great are sincere and accurate. It's just that, when experienced luthiers like Mr. Moore and Mr. Mayer shy away from a wood, I shy away from it as a uke owner (perhaps I would not if I could play it live and in person).