I haven't written in a while, not because of my brush with covid, but because I was administering final exams for my classes.
Both my wife and I are fine although by different mechanisms. Her father is a neurosurgeon/psychiatrist so that she is more allopathic. My wife went on a drug regimen whereas I went to bed at 9 pm and added a tablespoon of horseradish to meals if I wanted my sinuses cleared. I am pretty much cleared. I went to my fortnightly visits to my pub but my wife insisted on taking a test beforehand as it would be recklessly selfish to infect unknowing people. My test was absolutely negative and I went out and had a few whiskies and read some poetry.
So enough of all that. I don't have any food news because my wife has this strange idea as if her grandmother had made her menu. She is just eating chicken soup and soda crackers. As you may imagine, I am quite nettled about my brow for I do not suffer processed grains lightly. Having crackers in the house is rather vexing, but I am being as supportive as I can be although I know I can beat whatever metric chicken soup can offer as justification.
So let's not talk about it. I'll get my wife back on solid, whole food soon.
I have been appreciating how my ears have changed lately. I was just playing a 2-5-1 progression and completely digging it. Usually I eschew the easy path. Usually the 3 chords are close neighbors and you only need to move a few fingers to transition. In the past, I thought the chords were too similar--almost monotonous--and I would often move along the fretboard to get more variation in sound.
However, I have been very happy grooving on a 2-5-1 where the progression is subtle. So I have been playing the progression and over it playing a combination of modes from the harmonic minor and the melodic minor.
The difference between the harmonic and the melodic minor is just one note. It is just the c versus the c#. No big deal, right? On a theoretical level that is true but on a practical level there is more going on. I have found that there are vast implications. Switching that one note made me rethink my scale shapes on account of mapping out the more efficient patterns. The result is that the two variations on the minor scale produced different shapes and those shapes suggest different melodies based on which notes cohabitate the same strings. So altering one note made a big difference for me.