Dare I ask as I know it's a personal thing,
What experiences have you guys had with switching strings on a Soprano.
You remember correctly...
Yes guitars, mainly steel string but I do have nylon classical and flamenco guitars. So coming from this to ukues is different and to be honest I suspected the soprano getting sharp may something that basically is what it is with a soprano. It's not a big deal but I need to understand the instruments I own especially when they are new to me.
Sopranos can, in my experience, intonate perfectly adequately all the way up the neck but definitions of adequate vary. In my experience a Soprano
can play fingerpicked music right up and down the neck and sound wonderful (check out Sam Muir). However, and as a lover of Sopranos I choke on saying this, a larger Uke is better for some things and a Soprano’s real strength lies in being a highly portable instrument on which to play percussive chords at the nut end of the neck to accompany singing - appropriate moderation of expectations leads to happiness. That’s my opinion and others might well disagree.
I‘ve used a small raft of moderately priced strings on Sopranos and string selection is a right ‘rabbit hole‘. My current favourite string is Aquila Super Nylgut but I don’t like some other Aquila strings. Martin M600’s have worked well for me - at one time I used to fit them to everything - and Fremont Blacklines can be good too but they are harder to find in the UK. I like the sound that some nylon strings give but their intonation, particularly on the C string, can be a problem so I suggest that you steer clear of them for now. String settling time and imperfections in a particular string in a set (throwing out intonation on that string) is a problematic area.
I’ve learnt quite a lot off of Ken Timms‘s posts and videos, judging by his many happy buyers here he’s doing a lot of stuff right and I thank him for sharing his knowledge. Here’s one of his videos on fitting Bridges: