Hi, Petey. I read and agree w your sentiments in post 53. Your logic is sound regarding the pricing and the willingness of uke players to pay it. I, too, find my Martin 2M modern the best of the modern lot. Now that Martin has ceased production of it after, what, about five years, maybe it'll appreciate. when I'm a centenarian myself, I can sell it to afford an additional month on life support (my family has rather specific instructions: no plug pulling; I wanna live for as long as I can, even if my mind is mush--no plug pulling!).
Looking forward to your video review of the Kam pine. Oh, and great photo. The gentleman next to you is the envy of us with jowls that are follicularly-challenged.
The Martin Owners club treats us as 2nd class citizens too. When you join, among the items you get is a set of guitar strings. I've asked whether they could swap them for uke strings if I joined, but the answer is sorry, we just have guitar strings.
Frankly, I will never forget the thread about how brother Houdini was treated by Martin, under full warranty, on his split Katalox fretboard in 2013. Not a star moment for Martin. Many reasons to buy the vintage stuff, not the least of which is that they are a relative bargain compared to Laughlin, Kiwaya, and even Martin Nazareth themselves.
That may be true for S0 and S1, but a Laughlin 5K replica new goes for $3,800 and there was a used on recently for $2,500. Haven't seen a vintage 5K for close to that. ;-)
The $9k Martin 5k will be worth three times that in fifty years.
The $3800 Laughlin...not so much. (I'll leave it to the pundits to conject whether it'll be worth anything.Lol)
So, yea, the Martin is a relative bargain.
Only Kamaka Ukulele has been in production for 100 continuous years. It's a small distinction but an important one, to me at least.
[snipped] It seems to me that Martin now (in 2016 at least) considers the ukulele like a red-headed stepchild, and as such wants to ignore it as along as possible and eventually kill it off, even if only because there are SO MANY of us that want them to do something AMAZING for the centennial, at this is just SO painfully inconvenient for them, that it will likely not happen./QUOTE]
Booli, I also wish they would do something given the uke's relevance to their own history. However, sentimental reasons aside, Martin is a business. While it seems there are "so many" of us who would be interested, keep in mind that we are in no way, shape or form representative of the majority of the uke market which is about 950K units in the US, whereas acoustic guitar unit volume is 1.4 million. When you factor in average selling price to get total market value, the picture becomes much more bleak. The dollar value of the acoustic guitar market is approximately $600 million vs. the ukulele market which is about $70 million. Remember, much of the market is comprised of very inexpensive ukes. Think about the profit dollars available for a commemorative uke, even if they did a special S1 with some adornment and sold it for under $500. There simply isn't that much profit available. I'm not suggesting profit is the only consideration, but that is the objective of most for-profit businesses.
Nevertheless, I have a suggestion. Why doesn't somebody contact them and ask how many orders would it require to get them to do a custom run? Maybe we could effectively commission them to do something.
Note: Figures for 2013 US Market as estimated in the 2014 NAMM report.
Booli, I also wish they would do something given the uke's relevance to their own history. However, sentimental reasons aside, Martin is a business. While it seems there are "so many" of us who would be interested, keep in mind that we are in no way, shape or form representative of the majority of the uke market which is about 950K units in the US, whereas acoustic guitar unit volume is 1.4 million. When you factor in average selling price to get total market value, the picture becomes much more bleak. The dollar value of the acoustic guitar market is approximately $600 million vs. the ukulele market which is about $70 million. Remember, much of the market is comprised of very inexpensive ukes. Think about the profit dollars available for a commemorative uke, even if they did a special S1 with some adornment and sold it for under $500. There simply isn't that much profit available. I'm not suggesting profit is the only consideration, but that is the objective of most for-profit businesses.
Nevertheless, I have a suggestion. Why doesn't somebody contact them and ask how many orders would it require to get them to do a custom run? Maybe we could effectively commission them to do something.
Note: Figures for 2013 US Market as estimated in the 2014 NAMM report.
Uke production, for protos, began in 1915 but really kicked off in 1917.
Great Chart...... What is the source and how does their product look after this time period.