ripock
Well-known member
I played around with my Edim7's. I explored these possibilities:
Using the open G and E strings, I pulled off from one shape to the previous to the open string.
Using the notes on the C and A strings, I made doublestops
I bounced back and forth between two adjacents shapes
I see other possibilities, but I left them untried.
*****************
Here's some negative harmony for E
Emin
Dmaj
Cmaj
Bmin
Amin
Gmaj
F#dim
******************
Last thing I worked on was a re-introduction to the modes of E Harmonic Minor. The last time I did this was an my re-entrant Kamaka. With my Yorkie I will be able to play both sets of shapes. It isn't as bad as it seems. Initially it looks like there are 14 shapes, but there are only seven actually. For example, if you play a D# Super Lokrian bb7 from the G to E strings, However if you start the shape on the C string (as you would on a re-entrant) then you're playing the G Ionian #5, as long as you play a few extra notes on the A string.
Using the open G and E strings, I pulled off from one shape to the previous to the open string.
Using the notes on the C and A strings, I made doublestops
I bounced back and forth between two adjacents shapes
I see other possibilities, but I left them untried.
*****************
Here's some negative harmony for E
Emin
Dmaj
Cmaj
Bmin
Amin
Gmaj
F#dim
******************
Last thing I worked on was a re-introduction to the modes of E Harmonic Minor. The last time I did this was an my re-entrant Kamaka. With my Yorkie I will be able to play both sets of shapes. It isn't as bad as it seems. Initially it looks like there are 14 shapes, but there are only seven actually. For example, if you play a D# Super Lokrian bb7 from the G to E strings, However if you start the shape on the C string (as you would on a re-entrant) then you're playing the G Ionian #5, as long as you play a few extra notes on the A string.