There was a thread about low G versus high G. It reminded me that I hadn't played my re-entrant in a while and hadn't re-filled those humidifers. I think the whole distinction is overblown by most people who are only strummers so that the only difference is chord voicing. It actually is more impacting to someone who plays as I do because re-entrant ukes only have half the scales. My Kamaka, aside from being hamstrung by being a 3-stringed instrument, is also held back by not having a cutaway. So I decided to play it low: D#7m7b5, G#7#5, and C#m9. Not much difference when you think about it. Yes, there is a higher-pitched voice in the voicings, but it isn't really all that earth-shattering.
Something that was a bit more shocking was my study of Horatius' epistle. He had been praising Odysseus as an example of a smart person, but then said "sumus numerus" or we are a number (a multitude). We are like the suitors of Penelopeia. That's all well and good, but numerus can also mean a non-entity, a cipher, a symbol without substance. Or in other words, a nobody. Of course, Odysseus famously called himself nobody, or oudeis in the Greek, when he was in the cave of the kyklopes. So by saying that we are a multitude, or numerus, Horatius is also saying we are a nobody like Odysseus. So it was a bit of a revelation--especially since I have found no one mentioning this in the secondary literature. That means that I am either a genius or quite mistaken. And only time will tell.
I didn't eat tonight but I did make for my wife a roasted rutabaga, some kale, and some millet and habichuelas rojas.