ripock
Well-known member
There are some more threads to which I cannot contribute. There was one about wanting a tenor with everything but not willing to pay for it. I have nothing constructive to say.
So I'll just mind my business. I pressure cooked some habichuelas. As soon as I could, I added some ground cumin and the tops of a few leeks.
I'll eat those tonight after my chores. Today I am going to mop the floor. The mopping isn't so difficult; it is the moving of my furniture that is the majority of the burden.
I also have work to do.
After that I'll be starting some new melodic lines.I used random.org and received "3" as my number. Interval #3 is G. At first, I was disappointed because G is boring. But then I thought: G is what you make it. There is a G in every mode. Yes, the G Ionian #5 is rather boring but it doesn't have to be.
The interesting aspect of this set-up is that G is not an element of D# dim7. Granted G and D#dim7 are all in the same key but there is some logistics involved. Sometimes a transition is needed between the chord tone and the G.
You really have to be on your toes in this situation. You're playing your arpeggio and then you move (with or without a passing tone) to the G. Now you need to figure out in a blink of an eye what modes of the minor pentatonic and the harmonic minor is this G a part of.
So I'll just mind my business. I pressure cooked some habichuelas. As soon as I could, I added some ground cumin and the tops of a few leeks.
I'll eat those tonight after my chores. Today I am going to mop the floor. The mopping isn't so difficult; it is the moving of my furniture that is the majority of the burden.
I also have work to do.
After that I'll be starting some new melodic lines.I used random.org and received "3" as my number. Interval #3 is G. At first, I was disappointed because G is boring. But then I thought: G is what you make it. There is a G in every mode. Yes, the G Ionian #5 is rather boring but it doesn't have to be.
The interesting aspect of this set-up is that G is not an element of D# dim7. Granted G and D#dim7 are all in the same key but there is some logistics involved. Sometimes a transition is needed between the chord tone and the G.
You really have to be on your toes in this situation. You're playing your arpeggio and then you move (with or without a passing tone) to the G. Now you need to figure out in a blink of an eye what modes of the minor pentatonic and the harmonic minor is this G a part of.