neo1022
Well-known member
Hi All,
This isn't a review so much as an update. Just got one of the new high-gloss sunburst Blackbird Farallons, and wanted to give a quick "finish" review, as well as comment on a few small cosmetic changes to the instrument.
As some of you know, Blackbird is now making a small number of "limited edition" sunburst finish Farallons and Claras. The instruments feature a classic high-gloss "tobacco sunburst" finish on the soundboard, with a deep black lacquer on the sides, and a very nice "fade" on the back (where the the black of the sides blends into a very dark coffee colored ekoa). Stunning to see in person, and much nicer than the online photos at HMS and Blackbird.
Blackbird has often had some slight finish variations. Some of the earlier models of the Farallon had a vintage-looking "eggshell" lacquer finish, with a lot of subtle crazing. According to Joe, this was intentional, and gave the instrument a really nice aged look. They discontinued that sometime in 2015, and moved on to a less polarizing (and to my mind, more ordinary) finish.
I'm happy to report that gloss finish on the sunbursts is absolutely flawless, and superb. The think looks lovely, and sounds just like any other Farallon. The cut out for the hole on the soundboard is finished around all the edges, so there's no raw ekoa exposed (as on the standard model) -- it's glossy everywhere! You do pay quite a bit for the upgraded finish, but to my mind, it's worth it. My only suggestion would be to match the headstock to the body -- it's still the standard ekoa color. Would look amazing in either black or the coffee brown on the back.
That said, there is a tradeoff to the gloss finish. Unlike the standard finish, you can't have Blackbird add a soundport after the fact. On the sunbursts, the soundhole is cut prior to painting and finished to a high-gloss afterward. I talked to Joe about this, and said there is no way to add the soundhole after the body has been painted, as it won't look right. So, if you want a soundhole on a sunburst, you'll have to order it that way. Also, like any high-gloss uke, the thing is a fingerprint (and presumably, scratch) magnet. You might want to think twice before taking this one camping...
A few other details I noticed: The vertical brace beneath the end of the fretboard (a small carbon-fibre "wall" connecting the soundboard to the back of the body) is now affixed with a black glue. They used to glob on a thick white glue that was visible through the soundhole which always drove me crazy -- the visible stark white glue in there made it look cheap). Now it blends right in, and looks MUCH better. Very clean inside and out.
The micarta bridge is now a matte finish, which looks nice against the gloss soundboard. Older versions were usually gloss.
Also, they seem to have thickened up (and and possible enlarged) the carbon-fibre patch under the bridge, which seems to prevent the slight depression between the soundhole and the bridge that was typical of older models.
As for sound, the thing is great. Classic Farallon sound, but to my ear with a slightly more precise sound. Very clear separation between notes, and a somewhat more balances sound with less "boomy" low-g.
Really happy with this purchase, and glad to see Blackbird continuing to tweak the design in tiny ways, all of which provide incremental improvements on what has always been a superbly intoned and lovely instrument.
If anything else jumps out as I play around with it over the next few days, I'll update.
This isn't a review so much as an update. Just got one of the new high-gloss sunburst Blackbird Farallons, and wanted to give a quick "finish" review, as well as comment on a few small cosmetic changes to the instrument.
As some of you know, Blackbird is now making a small number of "limited edition" sunburst finish Farallons and Claras. The instruments feature a classic high-gloss "tobacco sunburst" finish on the soundboard, with a deep black lacquer on the sides, and a very nice "fade" on the back (where the the black of the sides blends into a very dark coffee colored ekoa). Stunning to see in person, and much nicer than the online photos at HMS and Blackbird.
Blackbird has often had some slight finish variations. Some of the earlier models of the Farallon had a vintage-looking "eggshell" lacquer finish, with a lot of subtle crazing. According to Joe, this was intentional, and gave the instrument a really nice aged look. They discontinued that sometime in 2015, and moved on to a less polarizing (and to my mind, more ordinary) finish.
I'm happy to report that gloss finish on the sunbursts is absolutely flawless, and superb. The think looks lovely, and sounds just like any other Farallon. The cut out for the hole on the soundboard is finished around all the edges, so there's no raw ekoa exposed (as on the standard model) -- it's glossy everywhere! You do pay quite a bit for the upgraded finish, but to my mind, it's worth it. My only suggestion would be to match the headstock to the body -- it's still the standard ekoa color. Would look amazing in either black or the coffee brown on the back.
That said, there is a tradeoff to the gloss finish. Unlike the standard finish, you can't have Blackbird add a soundport after the fact. On the sunbursts, the soundhole is cut prior to painting and finished to a high-gloss afterward. I talked to Joe about this, and said there is no way to add the soundhole after the body has been painted, as it won't look right. So, if you want a soundhole on a sunburst, you'll have to order it that way. Also, like any high-gloss uke, the thing is a fingerprint (and presumably, scratch) magnet. You might want to think twice before taking this one camping...
A few other details I noticed: The vertical brace beneath the end of the fretboard (a small carbon-fibre "wall" connecting the soundboard to the back of the body) is now affixed with a black glue. They used to glob on a thick white glue that was visible through the soundhole which always drove me crazy -- the visible stark white glue in there made it look cheap). Now it blends right in, and looks MUCH better. Very clean inside and out.
The micarta bridge is now a matte finish, which looks nice against the gloss soundboard. Older versions were usually gloss.
Also, they seem to have thickened up (and and possible enlarged) the carbon-fibre patch under the bridge, which seems to prevent the slight depression between the soundhole and the bridge that was typical of older models.
As for sound, the thing is great. Classic Farallon sound, but to my ear with a slightly more precise sound. Very clear separation between notes, and a somewhat more balances sound with less "boomy" low-g.
Really happy with this purchase, and glad to see Blackbird continuing to tweak the design in tiny ways, all of which provide incremental improvements on what has always been a superbly intoned and lovely instrument.
If anything else jumps out as I play around with it over the next few days, I'll update.