I'm looking to step up from my kamaka tenor

Detuning your Kamaka 1,2 or 3 semitones will improve resonance and sustain straight away. Are you still using the standard Kamaka strings? Different strings can improve sustain.
 
Honestly, once you reach the level of Kamaka in terms of cost, there are innumerable choices when it comes to more sustain and resonance. You just have to get out there and play a lot of ukes. You will likely buy and sell quite a few in pursuit of your keeper. No two ukes - even by the same maker, made on the same day - sound exactly alike. You will even find other Kamaka tenors have more sustain and resonance than the one you already own. I bought and sold 3 high end Ko’olau tenors before I found my keeper. Personal taste is a big factor as well. I sold one of my Ko’olaus to Corey Fujimoto and it is one of his main ukuleles - exactly right for him. Also, try a lot of different brands of strings. If you haven’t already, you will be surprised what a difference it can make. And if you have those black Kamaka strings on your uke - take them off immediately! :) Worst strings ever. I nearly asked Chris Kamaka during my recent tour of the Kamaka factory why they stick with those awful strings. Ultimately I did not ask because they are clearly very proud of what they do, and I did not want to be rude.

So good luck in your uke search. I will add that on my recent trip to Oahu, I was very surprised by how consistently good the Koaloha ukes sounded. I may have to get me one of those!
 
I don’t have any ukulele shops around me that sell high end ukuleles for me to try in person.
 
I don’t have any ukulele shops around me that sell high end ukuleles for me to try in person.

Most of us don't, unfortunately.

Most places have a return policy, so if something doesn't suit you, you can ship it back. You're out shipping costs, (to and from you), and some have a restocking fee, so of course it's best check the policy before you order.

My approach has been to spend time listening to sound samples on HMS, YouTube, Vimeo, here, (there, and everywhere.)
When I find a sound I like, I ask questions here about the specific brand/builder, since this forum is a great source of information.

You could also talk to some of the knowledgeable sellers, who can give you some guidance on what might work for you.
They want happy customers, so we'll come back and buy more from them, and say good things about them on the internet. :) I called one place about a ukulele one time, and after talking with them, they suggested that I not buy the high end ukulele I thought I wanted, because it would be too similar to one I had. They didn't have anything in stock that they thought would work for what I wanted. That impressed me, since they could easily have made the sale, but chose to do the right thing for the customer instead.

Maybe reading up on the different woods, if you're not already knowledgeable about them, would give you some direction. Here is one example: http://www.ianchadwick.com/ukuleles/woods.htm

You might be happy with another Kamaka, but with a cedar or spruce top this time. Or, it might be fun to try some other brand/builder. There are lots of options. Have fun with the search.
 
that jake model looks cool. besides appearance how is it different than the tenor i already have from them?

My guess is, aside from the bling, higher quality wood, greater attention to detail, (and Jake's name.) I don't know if there are any out in the wild yet, but maybe if you call one of the sellers, (like Elderly - not sure who else is selling them), they can give you some better input.
 
Historically, Tenor ukuleles weren't tuned to g,C,E,A. They started out tuned f,A#,D,G. Only Concerts were tuned g,C,E,A and Soprano's were tuned higher at a,D,F#,B.

For convenience we now nominally tune them all the same. The reason for this story is that Tenor ukuleles are tuned too high at g,C,E,A and it does reduce the sustain and resonance. To get the best possible sound from a Tenor ukulele you have to detune them. ANY Tenor ukulele you can buy will sound better detuned. Nature of the instrument.

If you want an instrument that sounds great at g,C,E,A then you need to find yourself a great Concert ukulele.
 
Great post, Joyful Uke! I agree with everything you wrote there. I have had to do nearly all my uke shopping via mail order. However, HMS and their videos has been a great help!
 
Jdavani, I know what you mean, there aren't any music stores nearby that stock high end ukuleles. So virtually no chance of trying before buying.
If I was looking for a ukulele that was more satisfying than your Kamaka, but weren't sure what you wanted, I'd start a list of the things you like and dislike on the instruments you have owned and played. Such as:

Likes: Wider nut & string spacing, satin neck, higher/lower/wider/rounded fret wires, perfect intonation, 18:1 tuners, perfect balance, certain shape of headstock for hand position, strap, no strap, cutaway, etc. Things that make your fingerpicking easier & more pleasurable for your style of playing.
Ideal Sound: Great balance, resonance, sustain, clarity, brightness, upper frets have to sound clear and crisp, what woods sound good to you? Mahogany with spruce top or Mahogany with cedar top. (Use quality earphones to listen to sound samples and performances.) What strings do you lean towards? etc.

Cons: Deep body, skinny neck, thick neck, gloss/satin/oiled finish, What hampers your playing? What is a characteristic you just don't like? etc.

What features do you really want? Binding, purfing, rosette, open/closed tuners. How do you want the uke to look to please your aesthetics?

Keep a list going. Take several weeks to research and figure out what you absolutely must have and what you can do without. Then ask around and see what's available that will meet your needs or decide if you need to have a custom uke made. Otherwise, you're just shooting in the dark hoping that you will find an instrument that you love and that meets your needs as a player.

Oh, and don't be too swayed by professional players that you admire. Many of the top players have company endorsements or were presented with special instruments by a maker to promote their product. They are not necessarily what they would play if they had a choice of any instrument and no endorsement conflicts. What they play is high end and top quality, but most have been tweaked or modified to suit the pro.

It's easier if you have a strategy to find & get what you need. Best of luck.
 
My guess is, aside from the bling, higher quality wood, greater attention to detail, (and Jake's name.) I don't know if there are any out in the wild yet, but maybe if you call one of the sellers, (like Elderly - not sure who else is selling them), they can give you some better input.
When I was in the factory a couple of years ago, they had made some (very few) of the Jake model that they sold by lottery. There was one done that hadn’t been picked up yet that they let me play. It wasn’t the bling, that Uke played like nothing I’ve since played. It was wonderful but expensive for good reason.
 
When I was in the factory a couple of years ago, they had made some (very few) of the Jake model that they sold by lottery. There was one done that hadn’t been picked up yet that they let me play. It wasn’t the bling, that Uke played like nothing I’ve since played. It was wonderful but expensive for good reason.

Good to know. I think that the current Jake model is different than the one from a few years ago, but it sure looks lovely, & I bet it will sound great, too.

Do the Kamaka deluxe versions in general play & sound better than the standard models? I realize that the Jake models are even more special than the "usual" deluxe models, so thought I'd ask about the "usual" deluxe models.
 
Jdavani, the two makers you mention are very different. A Moore Bettah is a top of the top high end instrument with a perfect high gloss finish and specialized on very individual artwork of inlays that will cost more than 5000 Dollars even for a used one. As mentioned above, you cannot just order one. Mya Moe, on the other hand, was an "affordable" custom shop with a very clever way of marketing their products with an ordering system on their site from a number of options. They had a pretty high output, so their instruments pop up on the used market ever so often. The one I got to play had a very unflattering finish and didn't sound anywhere near as full and clear as my Moore Bettah - or my Kamaka, for that matter.

A good number of makers have already been mentioned who build instruments that will be very different from your Kamaka, more "guitar-like" and with a fuller, deeper sound. My suggestions would be Ko'olau, LFdM, Beau Hannam, or one custom maker who doesn't get mentioned here as often as these others but who builds instruments of extreme resonance: Jay Lichty. Best bang for the buck, in this league, is Beau Hannam's "player's model", but he has a wait list of about two years and may no longer be offering this modestly priced model.

In your case, I think I would give Ko'olau a try; their CS model is a full step up or two from the other K brands with several options to customize, but still made in Hawai'i by a great company.
 
If you're into a full volume, guitar like sound; Brian Griffin from Griffin ukuleles is making some really nice Kasha tenors and baritones. Check out his blog for what's on the workbench now. Very reasonable.
 
Just my two cents, but if you can find your way to getting a Moore Bettah (and as others have said there is one available in the UU Marketplace), you will not regret it. I have had tenors by Kamaka, Kanile'a and KoAloha. They were all quite nice, but Moore Bettah ukes are in a different level. It is not just the bling, one of my Moore Bettahs has no bling at all, they are just divine in terms of playability and tone.
 
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