greenscoe
Well-known member
Here’s my latest tenor which was influenced by instruments from the past. It’s made of sapele with the decoration in walnut and maple. It was made with a temporary mould put together in a couple of hours. I am interested to know what others reckon to this design.
The box has a tighter waist and smaller lower bout than most ukes and the soundhole is moved away from the neck.
I made about 120 off 6x6x2 mm squares for the rosette and centre strips and 160 off 6x3x2 mm for the ‘purfling’. The pieces were stuck in place with CA.
For those new to building who don’t see what I did, I glued the ‘purfling’ pieces in a 4x2 mm rebate, cleaned up the soundboard surface, then routed out a 1.5x5 mm rebate for the maple binding.
The uke top (1.8 mm) has a patch and 3 fans, the back (2 mm) has 3 braces.
The neck is attached with glued tenon and captive bolt.
The fretboard and bridge are Chinese made. I prefer machine heads but the design demanded this headstock shape and friction tuners.
It’s finished in Tru oil on top of shellac and has Living Waters strings with low G.
Its loud and sounds clear and punchy, perhaps not as mellow as my recent tenors with a larger lower bout. I have already made a proper mould and Fox bender so that I can produce this box shape more accurately on future instruments.
The box has a tighter waist and smaller lower bout than most ukes and the soundhole is moved away from the neck.
I made about 120 off 6x6x2 mm squares for the rosette and centre strips and 160 off 6x3x2 mm for the ‘purfling’. The pieces were stuck in place with CA.
For those new to building who don’t see what I did, I glued the ‘purfling’ pieces in a 4x2 mm rebate, cleaned up the soundboard surface, then routed out a 1.5x5 mm rebate for the maple binding.
The uke top (1.8 mm) has a patch and 3 fans, the back (2 mm) has 3 braces.
The neck is attached with glued tenon and captive bolt.
The fretboard and bridge are Chinese made. I prefer machine heads but the design demanded this headstock shape and friction tuners.
It’s finished in Tru oil on top of shellac and has Living Waters strings with low G.
Its loud and sounds clear and punchy, perhaps not as mellow as my recent tenors with a larger lower bout. I have already made a proper mould and Fox bender so that I can produce this box shape more accurately on future instruments.