Uke-alot
Well-known member
Hey there,
I'm currently building my first instrument, which will be a tenor banjo ukulele. The neck is maple with curly maple headstock overlay with a cherry inlay. The fretboard is a supposedly rosewood premade board I bought online.
I plan to finish the neck with boiled linseed oil followed by wipe-on satin polyurethane. This is a basic finish, but one I've had good luck with on previous maple and cherry projects.
My question is about the fretboard. It currently looks fairly "blah." It's really dark brown instead of the reddish color I associate more with rosewood (in my limited experience with rosewood, from old plane totes and things like that). The linseed oil would probably help with that. I Googled linseed oil for fretboards and saw various responses, ranging from "great" to "never, ever do this."
I also have some tung oil lying around, as well as mineral oil. Or I could put nothing on it. What's the best plan?
Jim
I'm currently building my first instrument, which will be a tenor banjo ukulele. The neck is maple with curly maple headstock overlay with a cherry inlay. The fretboard is a supposedly rosewood premade board I bought online.
I plan to finish the neck with boiled linseed oil followed by wipe-on satin polyurethane. This is a basic finish, but one I've had good luck with on previous maple and cherry projects.
My question is about the fretboard. It currently looks fairly "blah." It's really dark brown instead of the reddish color I associate more with rosewood (in my limited experience with rosewood, from old plane totes and things like that). The linseed oil would probably help with that. I Googled linseed oil for fretboards and saw various responses, ranging from "great" to "never, ever do this."
I also have some tung oil lying around, as well as mineral oil. Or I could put nothing on it. What's the best plan?
Jim