Mahogany all around. I like it even better than koa.
Mahogany all around. I like it even better than koa.
Sopranos: aNueNue Khaya Mahogany 1, Bruko No. 6; Kiwaya KS-1; Kiwaya KTS-4; Kiwaya KTS-4K; Martin S-O
Concerts:Cahaya CY-0112; Kiwaya KTC-1; Martin C-1 (ca. 1947-1955); Musicguymic's Kolohe
Tenors: Cordoba 24T; Kiwaya KTT-2K
Baritones: Cordoba 24B
Softwood top: cedar/redwood/spruce
Extremely dense back and sides: ebony/rosewood/walnut
gives a beautiful singing voice with lots of resonance, sustain, and a rich blanket of ringing overtones
I want loud. Something that will cut through the background noise and stand out in a group. Cedar and spruce work for me. I have not had any experience with anything else except mahogany so I can't really speak on the subject with a lot of authority. I like the sound of mahogany maybe better, but it just doesn't project itself. I play the mahogany to relax sometimes.
Last edited by Rllink; 11-14-2019 at 04:43 AM.
I don't want to live in a world that is linear.
I just want everyone to understand that I am not a ukulele expert, even though it may look at times like I'm pretending to be.
https://www.amazon.com/s/ref=nb_sb_n...tective+Agency
Lucky for me I don't have to choose: I don't care for the look or the sound of spruce on a ukulele, but I play soprano - I might feel different if I played tenor. Oddly, on a guitar I prefer the look and sound of spruce and don't care for the look of a darker wood for the soundboard.
Glenn
I'm partial to mango. With spalted mango especially, it's hit or miss visually. I don't think there's a tonal difference between spalted and regular mango.
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