Paul Bouchard
Well-known member
- Joined
- Mar 11, 2018
- Messages
- 87
- Reaction score
- 1
My first build was a Martin style 0 soprano in walnut, so in this one I wanted to use koa and do some fancy MOP purfling. My plan was to incorporate as many new techniques as I could think of. In retrospect, maybe not the best plan but after many steps backward to fix mistakes, the final result sounds really good and the recipient isn’t going to notice the problems with the finish. I’m calling it "done" - except for some simple inlay to do on the headstock.
https://photos.app.goo.gl/gBsM6pNFXSANezm47
The top and sides are koa that I got cheap from a guitar set with bad cracks/voids. The neck is sapele and the fretboard and bridge are Osage orange - which will turn the colour of the koa after a few months.
I certainly learned a lot. The koa looked reasonably quarter sawn at the lumber yard but I didn't realize it was running out at about a 10 degree angle, so bending was a pain and I needed to make it a lot thinner than I'd planned. I used solid linings to try and beef them up a bit (with kerfed linings added). I had issues with the water based pore filler turning things green, which called for more scraping and sanding, so it all go a lot thinner than I would like but it still sounds pretty good and has nice sustain. The back sounds a bit dead when you tap it, so that's something I’ll hopefully rectify on the next one. I definitely won't be eyeballing the neck and string geometry in future. Also, I was not entirely happy with the LMI plans. I wish I'd really thought about the tuner hole and bridge pin hole placement, rather than just following what they had. I’m not too impressed with the Grover Champion tuners - they worked fine with a soprano but aren’t up to handling the string tension on this tenor.
Paul
https://photos.app.goo.gl/gBsM6pNFXSANezm47
The top and sides are koa that I got cheap from a guitar set with bad cracks/voids. The neck is sapele and the fretboard and bridge are Osage orange - which will turn the colour of the koa after a few months.
I certainly learned a lot. The koa looked reasonably quarter sawn at the lumber yard but I didn't realize it was running out at about a 10 degree angle, so bending was a pain and I needed to make it a lot thinner than I'd planned. I used solid linings to try and beef them up a bit (with kerfed linings added). I had issues with the water based pore filler turning things green, which called for more scraping and sanding, so it all go a lot thinner than I would like but it still sounds pretty good and has nice sustain. The back sounds a bit dead when you tap it, so that's something I’ll hopefully rectify on the next one. I definitely won't be eyeballing the neck and string geometry in future. Also, I was not entirely happy with the LMI plans. I wish I'd really thought about the tuner hole and bridge pin hole placement, rather than just following what they had. I’m not too impressed with the Grover Champion tuners - they worked fine with a soprano but aren’t up to handling the string tension on this tenor.
Paul
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