Blackwood with Lutz and Babinga bindings. Ebony fret board, peg head veneers and bridge. I'm loving using Vintage bone nut and saddle for the warm buttery look.
The inlay is composed of vacuum dyed Maple, Koa and Faux Ivory with scrimshaw shading.
Wow Allen you have really taken it to the next level, the headstock inlay and scrimshaw work are exquisite. The Blackwood back is primo looking in the high gloss finish. I love the round sound hole, truth be told I am not a fan of the oval sound hole. This is a superb looking instrument thanks for sharing
Beautiful work as usual Allen. However upon closer examination I detected a microscopic fleck of dust (~3 microns) on the side of the lower right bout. See picture: