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For anyone who has been following my posts on the new products and designs that Alvin "Pops KoAloha" Okami has been designing and redesigning, there has been a lot of great discussion, but also some speculation on why a guy who has been so successful would keep inventing and reinventing. To Know Pops is to know of his unending search for perfection, along with his desire to give people many options, and actually trying his utmost to cover all bases including a fair price for all of the detail, features and acoustic properties that are inherent with every ukulele he has ever handcrafted for over twenty-four years since 1995.
I have been sharing comments with Pops and there is always speculation about what he is trying to attempt. You can imagine my surprise when I received an email from Alvin today asking me to share some of his thoughts so that everyone will know what is driving him to keep experimenting and developing new styles and designs. I find it so interesting to hear from Pops directly. I hope that you find it interesting as well.
------Ed Fiscella
Hi Ed, I would love it if you can share what I am about to say.
Firstly, the Pineapple Sunday has been out on the market for over 15 years or so and has acquired a famous status around the world as a unique designed ukulele that also sounds incredible. The original version with the debossed grid also adds tremendously to the effect of creating the "look" of a pineapple's exterior without detracting from the koa wood face grain texture. This combination worked successfully well and I couldn't keep up with orders placed by large dealers as well as individual customers so I decided to stop production because, after all, I am the only person handcrafting each one meticulously. The debossing process involves a lot of time and when I recently decided to reactivate this version, I edited the debossing grid lines to a bare minimum which worked in favor of exposing the grain even more on the face. This satisfies the "purists" who want to see ukulele faces with curly grain configurations. I am presently handcrafting these minimal grid face PIneapple Sundays along with the painted versions.
Secondly, the painted version was instituted because in my research, I discovered long ago that utilizing Engelman spruce for the face creates such a beautiful, clear, loud and tremendous sustain that is incomparable with all of the woods I have tried, including my beloved Koa wood. I took this observation and started to mount Engelman spruce on the faces and it was an acoustic dream. However, I knew that for the most part, having Engelman spruce on the face would not draw or attract any attention at all. Spruce is blond and has almost no appeal visually so I put on my thinking cap and one day decided to give the spruce face a "facelift" so to speak with art work. The result was outstanding and it certainly caught the attention of whoever happened to see it hanging on the wall in our factory.
The aspect of the paint diminishing the sound was non-existent and in fact, elevated every aspect acoustically. I suspected that there would be questions expressed in ukulele circles but if they saw the same Pineapple Sunday with an unpainted spruce face, I'm sure they would be able to understand the reasoning behind adorning the face with artwork that is also beautiful to see and admire (as they would a beautiful grain koa face).
For those who love to see beautiful wood on the face, sides and back, I would like to say that if they could see besides the painted face, the sides are beautiful grained koa along with specially selected "crazy" koa backs. I am calling this combination and integration of music and art simply "MUSE-ART". The commercial slogan will read, "One of a Find, One of A KInd and One of A PIne!"
Incidentally, each “One of a PIne” is truly a collector's item because no two are alike so this fact alone should be an attractive incentive for those looking for investing in a collectible ukulele. I am still handcrafting the All Koa face version along with the painted version to satisfy hopefully, everyone and anyones preferences.
Above all of this that I have expressed, my utmost desire as a former professional oboist is that people would want to purchase an instrument because it sounds awesome and not necessarily because it looks good. After all, the ukulele is now recognized as a legitimate musical instrument and not a toy anymore so searching for an ukulele that excels in sound would be my absolute pursuit. Forgive my bias, but as a former oboist whose ears are still keen and perceptive enough to recognize excellence in sound, I know that the ukulele that I am fashioning whether it be a standard figure eight shape body, a pineapple shaped body or any other shape that others may view as different, my ears will be forever attracted to beautiful sounds whether it be in the form of an ukulele, violin, guitar or any other musical instrument.
Mahalo for sharing this with anyone interested, Ed.
Pops KoAloha