hoji
Well-known member
- Joined
- Apr 15, 2016
- Messages
- 286
- Reaction score
- 149
I just completed this "Old Island Style" soprano, following the instructions from Graham McDonald's book, The Ukulele - An Illustrated Workshop Manual. It came out pretty good!
I used cherry for the entire body and neck, spruce braces, solid basswood (non-kerfed) back linings and solid oak for the top linings (2 ply). Other than that, followed the plan pretty much to the letter, including making the inside-mold/crucifix jig assembly jig thing. Also used the "rule of 18" fret spacing.
Using the inside mold - I think this is a bit inferior to the more modern, outside mold technique. For one, the sides cupped a bit inwards when clamped to dry, whereas I don't think they would have if clamped on an outside mold. Also was pretty tricky getting the sides lined up in the neck slots working upside down and "blind". Not sure I will attempt this building style again.
As for the fretboardless, direct to neck frets - a couple observations: I didn't take this into account when carving the thickness of the neck, so probably came out a bit thin. I should have left and extra 1/8 inch (to account for what would normally by a fretboard) instead of going down the a typical 1/2 inch. Also should have used more of a back angle for the headstock (I used 14 degrees, should have been 15 or 16), and also should have made the face of the headstock "lower" or a bit recessed from the top of the fretting surface (to simulate the "notch" created by a fretboard being there). As a result of these, the action is forever going to be a bit high on this one, since I can't take the nut down any further or else lose the break angle.
I will say that I DO really like the way this one looks and sounds, and will probably continue building a few more with this body shape.
I used cherry for the entire body and neck, spruce braces, solid basswood (non-kerfed) back linings and solid oak for the top linings (2 ply). Other than that, followed the plan pretty much to the letter, including making the inside-mold/crucifix jig assembly jig thing. Also used the "rule of 18" fret spacing.
Using the inside mold - I think this is a bit inferior to the more modern, outside mold technique. For one, the sides cupped a bit inwards when clamped to dry, whereas I don't think they would have if clamped on an outside mold. Also was pretty tricky getting the sides lined up in the neck slots working upside down and "blind". Not sure I will attempt this building style again.
As for the fretboardless, direct to neck frets - a couple observations: I didn't take this into account when carving the thickness of the neck, so probably came out a bit thin. I should have left and extra 1/8 inch (to account for what would normally by a fretboard) instead of going down the a typical 1/2 inch. Also should have used more of a back angle for the headstock (I used 14 degrees, should have been 15 or 16), and also should have made the face of the headstock "lower" or a bit recessed from the top of the fretting surface (to simulate the "notch" created by a fretboard being there). As a result of these, the action is forever going to be a bit high on this one, since I can't take the nut down any further or else lose the break angle.
I will say that I DO really like the way this one looks and sounds, and will probably continue building a few more with this body shape.