Concert Ukulele

Mike $

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Why do you suppose they call it a concert instead of calling it an alto Uke?
 
Why do you suppose they call it a concert instead of calling it an alto Uke?

Because it is in the same soprano range. The word concert means only size. The tenor means also only size, because it is tuned as a soprano or sometimes like an alto range. Tenor is a stupid naming, but I'm fine with soprano and concert.
 
Tenor is a stupid naming...

I wonder what names we would have if someone had sat down and decided to invent a new instrument called a ukulele, and he wanted to make it in three sizes. Baby, Mama, Papa? One, Two, Three? The possibilities are endess. :)
 
Regular, Medium, Grande...:eek:
 
I think I read somewhere that it was marketed by Martin as being louder and thus better suited for concert halls (I may have imagined this and be completely wrong here).
 
Because it is in the same soprano range. The word concert means only size. The tenor means also only size, because it is tuned as a soprano or sometimes like an alto range. Tenor is a stupid naming, but I'm fine with soprano and concert.


The problem with tenors isn't their name. It's that most people are tuning them too high! :-0





P.S. I please don't jump all over me folks. I am (half) joking...I do personally like them tuned down, but fully believe people should tune any way they please.
 
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The problem with tenors isn't their name. It's that most people are tuning them too high! :-0

P.S. I please don't jump all over me folks. I am (half) joking...I do personally like them tuned down, but fully believe people should tune any way they please.

That's why I put low-G on all of mine. (Also kidding) :D
 
Short, tall, grande, venti...

And don't forget trenta, when what you play is "cool"...


(And I didn't drink the Kool-Aid - I was a Barista for 12 years at The 'Bux.

I can drink other coffee, but not the swill at DD...)
 
I think I read somewhere that it was marketed by Martin as being louder and thus better suited for concert halls (I may have imagined this and be completely wrong here).
Yep - Sort of. In Jim Tranquada and John King's great book " The 'Ukulele A History" :

Martin dominated the upper end of the mar-
ket with its Style 1, 2, and 3 mahogany ‘ukuleles retailing for $10, $15, and $25
respectively; a large order from Southern California Music Co. led it to introduce
koa models in 1919. The firm subsequently expanded its product line at both the
upper and lower ends, introducing the now-legendary 5-K model, “a select article
. . . with a finish like satin” and a steep $50 price tag, in late 1921 and the plain
all-mahogany Style 0 in January 1922. A larger concert ukulele was introduced in
1925 and an even larger tenor ukulele in 1928, the culmination of years of develop-
ment aimed at increasing the ukulele’s volume and tone, driven by the demands of
growing numbers of stage and radio performers. Lyon & Healy appears to have
introduced the tenor ukulele in 1923, advertising it as having “double the volume
of the ordinary ukulele. Schulz & Moenning, also of Chicago, also debuted what
it called a concert-size ukulele in the fall of 1925, “of unusually big tone and car-
rying power. The following year, the Standardization Committee of the national
Association of Musical Instrument and Accessories Manufacturers drafted a series
of specifications for ukulele, including string lengths—13 to 13.75 inches for
standard (soprano), 13.75 to 15.5 inches for concert, and 14.5 to 15.75 inches for
tenor.
 
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Yep - Sort of. In Jim Tranquada and John King's great book " The 'Ukulele A History" :

Martin dominated the upper end of the mar-
ket with its Style 1, 2, and 3 mahogany ‘ukuleles retailing for $10, $15, and $25
respectively; a large order from Southern California Music Co. led it to introduce
koa models in 1919. The firm subsequently expanded its product line at both the
upper and lower ends, introducing the now-legendary 5-K model, “a select article
. . . with a finish like satin” and a steep $50 price tag, in late 1921 and the plain
all-mahogany Style 0 in January 1922. A larger concert ukulele was introduced in
1925 and an even larger tenor ukulele in 1928, the culmination of years of develop-
ment aimed at increasing the ukulele’s volume and tone, driven by the demands of
growing numbers of stage and radio performers. Lyon & Healy appears to have
introduced the tenor ukulele in 1923, advertising it as having “double the volume
of the ordinary ukulele. Schulz & Moenning, also of Chicago, also debuted what
it called a concert-size ukulele in the fall of 1925, “of unusually big tone and car-
rying power. The following year, the Standardization Committee of the national
Association of Musical Instrument and Accessories Manufacturers drafted a series
of specifications for ukulele, including string lengths—13 to 13.75 inches for
standard (soprano), 13.75 to 15.5 inches for concert, and 14.5 to 15.75 inches for
tenor.

Cool! Thanks for sharing that! I thought I had read something like that before.
 
Sometimes it is called an alto ukulele, actually. (Okay, maybe just by people like me that are annoyed by the inconsistent conventions, but I have seen it!)

One way to classify sizes is by voice: soprano, alto, tenor, etc. Another way often used by guitar makers is to name the size after the type of room they are fit to play in: parlor, concert, grand auditorium, etc.

This is speculation on my part, but I could imagine the following based on Ed1’s history lesson... If the soprano was the only ukulele type when Martin introduced the concert, it wasn’t really soprano vs. concert but “regular” ukulele vs. concert ukulele. Once even more sizes were standardized it probably made more sense to call them by voice (and rename the “ukulele” as “soprano ukulele”), but maybe by that time the “concert” name was already the convention for the alto size and it stuck.
 
What an interesting thread! When I start new beginners, I introduce both names, concert and alto size. It seldom confuses anyone.
 
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