This is funny. I do think that "neck feel" is actually good advice for both a beginner and non-beginner. A lot of the time, I find that that liking the feel of a neck contributes to how much I want to play a uke.
I find that feel in general is often overlooked. If you have a uke where the neck feels right, you can take it for granted. If you have a uke where the neck doesn't feel right, it's easy to accidentally attribute that feeling to something else, like the sound, especially if you're a beginner.
Anyway, I often give beginners that advice - that they shouldn't overlook how it feels in the hand and that's sometimes more important than sound (which beginners have a hard time judging anywa - plenty of ukes sound good when you play one chord but have mediocre sustain and mediocre tone when you're playing fast, and so on).
At the same time, I can tell that this person is indeed going to agonize forever and then be disappointed with whatever she gets. I hope she at some point accepts that she might have to buy more than one uke, whether that means constantly buying and re-selling until she finds *the one* or just embracing UAS.
current ukes:
Kanile'a Oha Concert, Kanile'a Oha Baritone, Kala KA-ASZCT-ST Super Tenor, Islander MSC-4 Concert, Wunderkammer "Boswell" Tenor, Johnson UK-200 baritone
sold ukes:
Martin Tenor, Martin Oliver Ditson Dreadnought Soprano, Martin Baritone, Ohana SK-28, Ohana SK-25S, Favilla Baritone, Kala KA-FMBG, Luna Great Wave Concert, Mainland Red Cedar Baritone, Mainland Classic Mahogany Tenor, Oscar Schmidt OU53, Oscar Schmidt OU57, Kiwaya Famous KTS-5 soprano, Ohana TK-38 tenor, Kiwaya Famous FLS-1G, Cordoba 24T,Keiki Kamaka Soprano, Dewdrop Concert
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