Thanks for the video which I watched with interest. I offer comments below which I hope are constructive.
For personal preference I can understand someone wanting low G on a Uke, but for demonstration purposes doesn’t that make it (the sound) none standard and so of questionable value to your audience? I’m also wondering how the standard Aquila strings on the CK14 compare to the Worth Browns on the CL variant of it; I think that such a side by side string comparison would be useful to potential CK14 purchasers (obviously both tests strung standard gCEA and using your CK14-CL as a test instrument).
The CK-14CL costs about 200 USD from Mim complete with bag, not a small price but not dreadfully expensive. (Ref:
https://mimsukes.com/collections/co...in-model-laminate-mahogany-ukulele-w-bag-i248 ) The CK-14 costs about 110 USD from Mim and doesn’t come with a bag, that seems reasonably competitive pricing to me. (Ref.
https://mimsukes.com/collections/co...inate-mahogany-matte-with-binding-ukulele-285 ) I’m rather puzzled as to why you didn’t (IIRC) comment on the price of both models and compare what the extra 90 USD gets you over the standard model. A bag (which would have been good to see), some embellishments and different strings for 90 USD? The minor blemish that you mentioned in your video got past Mim and you don’t seem happy about the blemish, at 200 USD for an all laminate Uke you might have some justification in expecting it to be without fault. Mim has a well earned and excellent reputation and I’m wondering whether you have discussed the blemish with her ...
Different folks like different things, the flower on the fretboard wouldn’t be a selling point to me but it might really appeal to someone else. I might like and use side dots but the ones on the front of the fretboard certainly do come in exceedingly handy, removing all of the front dots might add beauty but I’d like a different arrangement that retained most of them. The price difference between the standard and ‘customised’ versions seems a lot to me, but maybe I’m missing the point of a CL model?
Ohana do sell some nice instruments. I have one of their solid mahogany concert Ukes which I purchased as pre-owned; after playing it a lot (the more I play it the more the sound improves) and sorting out a few minor issues I’m now pretty pleased with it. Someone could buy better - I might at some point and there’s always a ‘bigger and better’ Uke - but I believe that to get better they would typically have to spend many multiples of what I paid for my Ohana. Mine’s definitely a long term keeper and whilst I expect to continue to progressively improve as a player I can’t envisage actually ever outgrowing my CK35. YMMV.