mjgreenwood
Well-known member
I picked up a banjo uke during an expedition to the flea market.
The pegs where either broke or missing and it had no bridge.
I threw a new grover bridge and a set of grover friction pegs (they suck) and a set of aquila banjo uke stings on there.
It sounds horrible, really muddy.
when I had it apart I found that the skin was fused to the finish. someone thought it a good idea to shellac the instrument.
I'm considering taking it apart again and throwing a new skin on but am I going to get any real change in sound?
I wiped the neck down with alcohol and 0000 steel wool and got the shellac off. I'm considering cleaning the entire body off and dyeing the instrument a funky color and doing a polish on it. It's a solid piece of birds eye maple so any quality finish will be a huge improvement to the thickly brushed on shellac. I just don't want to go through the work without some promise of a better sound.
It's a no name, probably harmony. Head stock is a close match to a Roy Schmeck uke that I have.
The pegs where either broke or missing and it had no bridge.
I threw a new grover bridge and a set of grover friction pegs (they suck) and a set of aquila banjo uke stings on there.
It sounds horrible, really muddy.
when I had it apart I found that the skin was fused to the finish. someone thought it a good idea to shellac the instrument.
I'm considering taking it apart again and throwing a new skin on but am I going to get any real change in sound?
I wiped the neck down with alcohol and 0000 steel wool and got the shellac off. I'm considering cleaning the entire body off and dyeing the instrument a funky color and doing a polish on it. It's a solid piece of birds eye maple so any quality finish will be a huge improvement to the thickly brushed on shellac. I just don't want to go through the work without some promise of a better sound.
It's a no name, probably harmony. Head stock is a close match to a Roy Schmeck uke that I have.
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