Teek
Well-known member
I have this Pono Pro Classic. I drive a 1997 Dodge that still runs fine, so that's representative of my income level and priorities, LOL. I don't have ego tied up in my car and I love ukes. This Pono was worth it to me because it is totally what I wanted in a tenor regarding qualities that were important to me; a ringing sound and great sustain, a radiused fretboard and a cedar top, volume and a slender neck with a truss rod, geared tuners and fatter rounder frets, and I love the look of slotheads. Also I don't like a lot of inlay or shell, but I do like nice wood. It's one of the few I have bought new. I don't feel the need of anything more expensive, and the only problem with it is that I like it enough to attempt to sell off others in my herd to finally really downsize, but I am fond of those ukes so it's psychologically difficult.
I have a custom long scale concert made by Brad Donaldson that has intricate beautiful woodwork and gorgeous sound which is my other best uke, and a Risa Les Paul tenor that is meticulously crafted, so I can say that I really appreciate the quality of build and sound in these three, and all of them were worth their price to me. I got the Risa used and recommend buying a good brand name used if possible if on a budget, because the resale doesn't go down as much as when buying new.
Also I have an old used Kala Watermelon pineapple soprano uke I got off eBay that is a quick grab wallhanger. I sanded the bottom of the saddle and set it up to where it plays so easy and well it is a delight. It's mahogany laminate so does not have a lot of richness to the tone but it sounds nice and is a super little uke that I got for well under $100. It's also for now a keeper as my travel uke because it is a laminate. The first three are inspirational in that they sound so good to me I want to keep learning and practicing so that I can make better use of them. If all I had was the Kala I'd be grateful to have a uke, and still play it as much as possible, even though I prefer to have more than 12 frets.
I think having a uke you really enjoy that fits how you play and feels good in your hands is more important than what it cost. I still get a kick out of my Dolphin.
I have a custom long scale concert made by Brad Donaldson that has intricate beautiful woodwork and gorgeous sound which is my other best uke, and a Risa Les Paul tenor that is meticulously crafted, so I can say that I really appreciate the quality of build and sound in these three, and all of them were worth their price to me. I got the Risa used and recommend buying a good brand name used if possible if on a budget, because the resale doesn't go down as much as when buying new.
Also I have an old used Kala Watermelon pineapple soprano uke I got off eBay that is a quick grab wallhanger. I sanded the bottom of the saddle and set it up to where it plays so easy and well it is a delight. It's mahogany laminate so does not have a lot of richness to the tone but it sounds nice and is a super little uke that I got for well under $100. It's also for now a keeper as my travel uke because it is a laminate. The first three are inspirational in that they sound so good to me I want to keep learning and practicing so that I can make better use of them. If all I had was the Kala I'd be grateful to have a uke, and still play it as much as possible, even though I prefer to have more than 12 frets.
I think having a uke you really enjoy that fits how you play and feels good in your hands is more important than what it cost. I still get a kick out of my Dolphin.