frankiefirefox
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I'm signing off Ho's. Good night
::Leader Board:: Ahnko Honu Takes The Lead Chapter 17!
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I think me, Mandi and Kenvin for sure. Amy too.
I smell like tidepool. Off to wash up
Freeda
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Someone explain this tide pool thing?
Susie A
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I am really enjoying the stuff from the TBUG workshops. I can tell some improvements. Like Sukie said, there is a lot of good information in the booklet from TBUG.
Is this booklet available for folks who weren't there? A pdf, perhaps?
Freeda
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I believe it was part of the registration fee.
I put a music theory question out there. Feel free to take a stab at it. I think I'm headed in the right direction.
Susie A
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Liam and Bentley enjoying Doritos.
Do you mean the one about 12 bar blues lyric writing? I don't remember another theory question....
Freeda
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You're way ahead of me on this one, Freeda. My music theory is too limited to help you there....
Freeda
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I may be barkin up the wrong tree. But I think it would be cool to be able to do 3 part harmony in a group session.
It sounds like a winner to me. Does your chart represent individual notes? Or does it represent chords?
SailQwest
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It works if people are playing individual notes. It does not work if they are playing the chords.
Freeda
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SailQwest
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The chords already are 3 (or occasionally 4) part harmony.
Freeda
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I'm trying to do it, like when the UoGB plays they are playing different but complementary parts. So it's more interesting than a dozen or two dozen people all playing a C chord at the same time.
I feel like I'm doing a lousy job explaining myself.
SailQwest
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I'm trying to do it, like when the UoGB plays they are playing different but complementary parts. So it's more interesting than a dozen or two dozen people all playing a C chord at the same time.
I feel like I'm doing a lousy job explaining myself.
I think I understand what you're saying.
Ways to add to the tonal complexity is by having different chord inversions (differently tuned instruments helps with this). Add some slash chords, people playing different rhythm patterns, and all of a sudden you have more sound layers. I think that's what you're looking for...
I'm trying to do it, like when the UoGB plays they are playing different but complementary parts. So it's more interesting than a dozen or two dozen people all playing a C chord at the same time.
I feel like I'm doing a lousy job explaining myself.
I understand what you want to end up with. I think part of the answer would be to play inversions of the same chord. Some folks play in the first position, some at the second or even third. Some can play different, but complimentary, strum patterns. Some can play picked melody lines.
I've been wanting to achieve the same thing, myself....
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