Since I was in Ft. Lauderdale this past week, I made an effort to stop by Pennylane Emporium to see some ukes. I drooled briefly on the bank of MIH ukes on the right wall, then went over to the left side to try some in my price range. I tried the used Loprinzi cherry concert:
Then I tried a Martin T1K tenor, and Pono tenor and baritone.
The Loprinzi was
very nicely made and I thought pretty light; I didn’t compare directly to the Martin concert to compare weight, they seemed to only want to have one at a time off the wall and each instrument had a sign not to take them down yourself. I might have tried more instruments and made more comparisons if I were free to explore with less oversight. It sounded very nice. But overall, a concert is too small for me. I’m 6’3” and long of arms, and used to playing guitar and dabbling in bass!
The Pono tenor was surprisingly heavy. After the Loprinzi it was jarring to feel that much weight in such a small instrument. I know it’s got a truss rod and a bolt for the neck that add weight, but it wasn’t only neck heavy; the whole instrument is more heavily constructed than the Martins or the Loprinzi. Something I keep reading about Ponos is that they don’t dye the mahogany. I don’t know which variety they use, but I wish they would! The mahogany on low end Ohanas looks much nicer than the mustardy colors of some of the Ponos.
The weight of the baritone felt like it matched its size, definitely did not feel too heavy. The baritone was a fantastic size! Perfect for couch noodling, it would be excellent for a child. I knew the tuning was that of the 4 high strings on a guitar, but much to my chagrin I felt lost on the fretboard without the A string! Beyond strumming some simple D chords (intro to Tom Petty’s
Free Falling) and partial chord shapes I couldn’t really give it a fair test run. I think manufacturers are seriously missing the boat on this size in 5- or 6-string models. Much like I think Taylor is missing the mark by not offering their Baby Taylor as a nylon string. I suppose one could convert an 8-string baritone if one had the skill.
As to nut widths, I didn’t really notice any difference. I’m not overly sensitive to string spacing, I get tripped up much more by narrow fret spacing on a short scale.
I also looked at several Ohana tenors. They really do a nice job overall on aesthetics and construction. They had a TK-50G and TK-32, both of which I had viewed on Mim’s site when I was shopping for my daughter’s uke. The 50G reinforced that I don’t like an all-gloss instrument or excessive embellishment. Abalone rosette looks nice, but around the binding of the body and headstock it’s just too much for me. I had asked Mim some time ago about a TK-32, and she wasn’t as complementary about that one as another. Which is a shame, it’s beautiful. With her ear and experience I’m sure she has a clear preference but I bet I wouldn’t be able to pick it out.
At this point I think I’d be happier with a Martin T1K than a Pono tenor, and but for the country of origin I could be quite pleased with an Ohana. But I think I will be calling Donna! A very nicely made instrument from a Florida small luthier? Love it. I’m imagining a hog tenor with radiused fretboard, streaked ebony or rosewood bridge & fretboard (not jet black, I like the natural character); I like tortoise binding but I also like a lighter wood. Definitely a matching wood inlay rosette. Will have to think on tuners. I like rear facing, so Gotoh UPT with the coral color buttons would be nice.
Ah to dream…