ripock
Well-known member
I'm juxtaposing the familiar pentatonic minor (E G A B D) with an Asian pentatonic: the Hirayoshi (E F# G B C).
I'm pursuing a few different strategies.
1. melodizing with each scale
2. using chords using the scales' tones, such as E minor
3. pattern picking using double-stops. For the hirayoshi the open G and C strings are in key, so that I can finger the appropriate notes on the E and A strings and make open chords. With the minor pentatonic, it is just the opposite. The open E and A are in key and the two bass strings need to be manipulated
I'm pursuing a few different strategies.
1. melodizing with each scale
2. using chords using the scales' tones, such as E minor
3. pattern picking using double-stops. For the hirayoshi the open G and C strings are in key, so that I can finger the appropriate notes on the E and A strings and make open chords. With the minor pentatonic, it is just the opposite. The open E and A are in key and the two bass strings need to be manipulated