Thanks Dana, you crack me up.
Yeah, the Moodyville tenor is 3/4-inch wider and taller than my LFdM, so I guess we can call it a B.A.T.
Thanks pcspud, the English walnut turned out well. I like how the grain on the back seems to flow with sides
Body lengths for the Kepasa, LFdM, and Moodyville are the 10-7/8, 11-1/2, 12-1/4-inches, respectively.
Lower bout widths are 9, 9-5/8, 10-3/8 inches, respectively. But they are all 2-3/4 thick.
Fret sizes vary too. Large frets for the LFdM, small frets for the Kepasa, and medium frets for the Moodyville.
All use a zero fret. The rosette and bridge on the Moodyville are very much in keeping with the Django style, a litttle more than the other two.
All three sound great. But the Moodyville is the lightest, loudest, and most resonant. The LFdM is the heaviest but still has great volume, resonance, and good bass. Some of that has to do with the wood types, necks, and headstock style. The LFdM has the most 'bling' while the Moodyville is simple and clean.
Sound is very subjective. To me the Moodyville is the warmest and broadest tone, the LFdM has most note clarity and bell tones, the Kepasa is in the middle.
The Three Amigos